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2024 Artists in Residence

Artist-in-Residence Program at Mystic Seaport Museum, hosted in collaboration with the Center for American Marine Art

Mystic Seaport Museum welcomes four artists in residence this summer. Visitors are invited to visit each artist to learn more about their unique techniques and processes as they work in Clift Block in the Seaport Village. Much of the artwork on view is available for sale.

Joyful Enriquez, June 7–21, 2024

Joyful Enriquez is a marine wildlife artist specializing in paintings of the underwater world. Her energetic oil paintings capture the essence of life underwater and its unique lighting, atmosphere, and movement. Joyful will be at the Museum daily June 7 through 21 in Clift Block in the Museum’s Seaport Village.

Tom Swimm, July 9–16, 2024

A self-taught artist who has been painting since childhood, Tom Swimm’s work conveys a remarkable realism that gives one a sense of “being there.” Upon first viewing, people frequently comment that his paintings look almost photographic, but after studying them, his work reveals properties that are distinctly impressionistic. Tom will be at the Museum daily July 9 through 16 in Clift Block in the Museum’s Seaport Village.

Brechin Morgan, July 16-August 4, 2024

Renowned maritime artist Brechin Morgan lived many a sailor’s dream when he sailed his 27-foot cutter rigged sailboat Otter around the world, visiting 32 countries and traveling 32,000 miles. He has been painting from the 18 watercolor sketchbooks he filled on the voyage, the ten-volume journal, logs, memory, and boxes of reference photos. Summer sailing trips in New England waters and the vista here at Mystic Seaport Museum provide continued inspiration. Brechin will be at the Museum daily July 16 through August 4 in Clift Block in the Museum’s Seaport Village.

Serena Bates, August 6–10 and 13–17

Sculptor Serena Bates studied at the Lyme Academy College of Fine Art and considers herself to be a storyteller. A representational artist, she has an affinity for portraits and animals. She primarily works in clay, bronze, and stone. Serena will be at the Museum daily August 6 through 10 and August 13 through 17 in Clift Block in the Museum’s Seaport Village.

The Center for American Marine Art

The Center for American Marine Art is dedicated to bringing endangered historic American marine art to the forefront of our identity as a country through documenting and imaging works using the most advanced cultural heritage technology and techniques. They are creating a free database featuring high-resolution 3D images for use by museums, scholars, and the public, and developing virtual and national traveling exhibitions.

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Sailors Ditty Box Returned to Antarctica for Historic Anniversary

Suzana Machado D’Oliveira, Expedition Director, Abercrombie & Kent and Alexander Bulazel, Trustee, Mystic Seaport Museum, Mystic, Connecticut  (Photo credit: Christopher Ian McGregor)

Two hundred and three years ago Captain Nathaniel B. Palmer, American seal hunter, explorer, sailing captain, and ship designer sailed down to Marguerite Bay below the Antarctic Circle to discover what became known as Stonington Island, named after Palmer’s hometown of Stonington, Connecticut. The Island would eventually accommodate US and British Antarctic bases. This voyage was Palmer’s farthest point south during his historic explorations of the continent from 1819 to 1831. In 1820 Palmer was credited with the sighting of the Antarctic mainland peninsula from a hilltop on Deception Island while anchored in Whalers Bay. A portion of the peninsula now bears the name Palmer Land. 

Sailors ditty box from Palmer’s 1820 voyage.

A ditty box from the Mystic-built sloop Hero, sailed by Palmer to Deception Island, is part of the Mystic Seaport Museum collections and is the oldest known artifact to exist from the Antarctic age of discovery, along with Palmer’s logbook housed in the Library of Congress. This 7″ x 3″ wooden ditty box from Hero was donated to the Museum in 1950. It is ornately carved and has the inscription, “L.B. Stonington Slp. Hero.” It is believed that the L. B. likely stands for Stanton L. Burdick a 17-year-old crew member who sailed with Palmer in the 1819-20 season to Deception Island and again in 1821.

Mystic Seaport Museum celebrated the bicentennial anniversary of Palmer’s sighting of the Antarctic mainland with the return of the ditty box to Deception Island’s Whalers Bay in January 2020, months ahead of the 200th anniversary. In 2021, the COVID-19 pandemic prevented the second historic bicentennial celebration of Captain Palmer’s farthest drive south to Stonington Island, Antarctica, for Mystic Seaport Museum and the community of Stonington, Connecticut; however, on January 25 of this year Alexander Bulazel, Trustee and Chair of the Exhibitions Committee for Mystic Seaport Museum, in association with luxury travel company Abercrombie & Kent, once again returned the ditty box to Stonington Island, Antarctica, for the historic anniversary celebration of Palmer’s exploratory voyage over two hundred and three years ago. 

News about the 2020 return of the ditty box to Deception Island can be read at https://mysticseaport.org/news/sailors-ditty-box-returns-to-antarctica-200-years-later/. 

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