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Mystic Seaport Museum Announces Search for New Head of Curatorial Affairs

Mystic, Conn. (August 28, 2019) — Mystic Seaport Museum announces it is initiating a search for a new senior vice president for Curatorial Affairs to replace Nicholas Bell, who is leaving the Museum to become President and CEO of the Glenbow Museum in Calgary, Alberta.

“We are grateful for Nicholas’s vision and leadership and his profound contribution to the Museum,” said Steve White, president of Mystic Seaport Museum. “While we are disappointed to see him go, we are excited for the professional and personal opportunity it affords him and his family as he is returning to his native Canada. He leaves an impressive legacy, and the state of our exhibition program has never been stronger.  I am thrilled to announce he will continue to serve on the Museum’s Exhibition Committee.

Bell’s arrival coincided with the opening of the Museum’s new Thompson Exhibition Building in 2016. Using the building’s 5,000 square-foot Collins Gallery as an anchor venue, Bell directed an ambitious and diverse series of exhibitions, including:

  • The international debut of The Vikings Begin: Treasures from Uppsala University, Sweden, an exhibition of some of the earliest Viking artifacts ever unearthed.
  • Science Myth and Mystery, the Vinland Map Saga, the first public display of the controversial map outside of Yale University in more than 50 years.
  • Death in the Ice: The Mystery of the Franklin Expedition, an examination of the fate of the ships and crew of a tragic attempt to traverse the Arctic’s Northwest Passage in the 1840s, featuring artifacts recovered from the recently discovered shipwrecks.
  • Murmur: Arctic Realities, the international debut of a major installation by contemporary artist, John Grade, examining the changing arctic through sculpture and augmented reality.
  • Monument Man: The Art of Kevin Sampson, the museum’s first artist-in-residence.

The Museum will open J.M.W. Turner: Watercolors from Tate, Saturday, October 5. The exhibition on loan from Tate, London, features 97 works by the iconic British artist from throughout his career. Mystic Seaport Museum is the only North American venue for the show, which is the largest collection of Turner watercolors ever to be displayed in the US.

The Museum recently joined the Global Curatorial Project on the history and legacy of African slavery, an international consortium led by the Smithsonian’s National Museum of African American History and Culture and Brown University’s Center for the Study of Slavery and Justice, that will collaborate on exhibitions and programming in the coming years.

The Museum has received unprecedented support in recent years for it exhibition and curatorial work. For example, the Henry Luce Foundation awarded a $735,000 grant to support the curation and development of new collections installations and related programming. The three projects provide new perspectives on the Museum’s collections while also promoting public access. The first of the projects, Mary Mattingly’s Open Ocean, is now on display in the Museum’s R.J. Schaefer Building.

The Museum was also the recipient of $736,167 in Save America’s Treasures grants to support the restoration of the L.A. Dunton fishing schooner and preservation work for the Rosenfeld Collection of Maritime Photography. The grants from the National Park Service are implemented in partnership with the Institute of Museum and Library Services, the National Endowment for the Humanities, and the National Endowment for the Arts.

The Museum is initiating a nationwide search for a new senior vice president for Curatorial Affairs.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that will feature J.M.W. Turner: Watercolors from Tate, the most comprehensive exhibition of Turner watercolors ever displayed in the U.S. opening October 5, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

 

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BRILLIANT wins at Eggemoggin

Schooner BRILLIANT sailing to a best-in-class finish at the Eggemoggin Reach Regatta in 2019. (Photo by Maggie White)
Schooner BRILLIANT sailing to a best-in-class finish at the Eggemoggin Reach Regatta in 2019. (Photo by Maggie White)

There are two things we can say about our schooner Brilliant: the boat is fast and the boat is beautiful. This past weekend, at the annual Eggemoggin Reach Regatta in Maine, Brilliant proved once again the truth to those statements.

Captain Dan McKenzie and his crew brought Brilliant across the line for first place in her class (schooner and gaff). The Eggemoggin Reach Regatta is the premier classic yacht race on the East Coast. There were reportedly 113 vessels in Saturday’s race.

The 2019 Most Photogenic Boat Award from The Calendar of Wooden Boats.
The 2019 Most Photogenic Boat Award from The Calendar of Wooden Boats.

Brilliant also brought home the trophy for Most Photogenic Boat as judged by the Calendar of Wooden Boats®.

The schooner is the work of legendary naval architect Olin Stephens II, whose ability to combine speed and beauty in his designs is renowned. Brilliant was built in 1932 at the yard of Henry B. Nevins at City Island, NY. After a number of years as a yacht and a stint in the U.S. Coast Guard during World War II, the boat was donated to the Museum in 1952 to become a sail training vessel, starting in 1953. More than 11,000 teenagers and adults have sailed in programs since that time. Brilliant’s excellent condition is a testament to the designers and skilled craftsmen who built her to the highest standards, and to the careful maintenance she has received ever since. Originally built for offshore cruising, Brilliant has proven herself in many races.

Congratulations to the crew and everyone who supports Brilliant over the course of the year.

 

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Mystic Seaport Museum Honors Benjamin Mendlowitz with William P. Stephens Award

Mystic, Conn. (August 1, 2019) — Mystic Seaport Museum is pleased to announce it honored maritime photographer Benjamin Mendlowitz with the William P. Stephens Award.

Established in 1988, and named after William P. Stephens (1845-1946), known by many as the “Dean of American Yachtsmen” and “the grand old man of American yachting,” the award is given periodically in recognition of a significant and enduring contribution to the history, preservation, progress, understanding, or appreciation of American yachting and boating.

“We are deeply honored to present this award to Benjamin Mendlowitz to recognize his life’s work capturing the beauty and craftsmanship of wooden boats,” said Mystic Seaport Museum President Steve White. “Much as the Rosenfeld family chronicled the early and middle of the 20th century of American yachting with their iconic black-and-white photographs, Mendlowitz applies his talented eye and intuitive sense of light and curve to portray the classic boats that remain from the past and to document the important vessels from our generation. His work helped drive the renaissance of wooden boats in America over the last 40 years.”

Mendlowitz was born and raised in New York City and drew his passion for boats and the sea from summers on the New Jersey Shore, where he was influenced by the local traditional boat builders. After graduating from Brandeis University, he embarked on a career in photography with his work appearing in WoodenBoat Magazine and other nautical publications. Through his company NOAH Publications, Mendlowitz publishes the Calendar of Wooden Boats, which has been a staple on the walls of wooden boat enthusiasts for more than 30 years.

Mendlowitz photographs have appeared regularly on the covers of many trade and educational books, and in feature articles and on the covers of the most respected boating magazines including WoodenBoat, Nautical Quarterly, Sail, Yachting, Cruising World, Maine Boats, Homes & Harbors, Soundings, Chasse-Maree and L’annee Bateau (France), Classic Boat, (Britain), Yacht (Germany), and Arte Navale (Italy). His work has also appeared in magazines such as Time, Esquire, Money, People, Atlantic Monthly, Connoisseur, Historic Preservation, Field & Stream, Down East, Yankee, Sports Illustrated, The London Times Magazine, The Boston Globe Magazine, The New York Times Magazine, among many others.

Mendlowitz’s newest book, Herreshoff: American Masterpieces, created in collaboration with Maynard Bray and Claas van der Linde, was published in November 2016 by W.W. Norton & Company of New York. In 1998, Norton published Wood, Water & Light, a large-format, full-color book featuring more than 180 of Mendlowitz’s finest early images with accompanying text by Joel White. In addition to seven other book published by Norton, two books published by NOAH Publications feature his photography: Joel White: Boatbuilder, Designer (2002), with text by Bill Mayher and Maynard Bray, and Aida (2012) by Maynard Bray.

The award was presented as part of the Castine Classic Race Symposium at the Maine Maritime Academy, in Castine, Maine, July 31.

Previous recipients include Olin J. Stephens II, Jon Wilson, Elizabeth Meyer, Briggs Cunningham, John Gardner, Carleton Mitchell, Maynard Bray, John Rousmaniere, and Louie Howland.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that will feature J.M.W. Turner: Watercolors from Tate, the most comprehensive exhibition of Turner watercolors ever displayed in the U.S. opening October 5, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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Turner Book Pre-Sale

"Conversations with Turner: The Watercolors," edited by Nicholas R. Bell
“Conversations with Turner: The Watercolors,” edited by Nicholas R. Bell

Mystic Seaport Museum is proud to announce it is accepting pre-sale orders for its new book, Conversations with Turner: The Watercolors, published jointly with Skira. Edited by Senior Vice President for Curatorial Affairs Nicholas Bell, the book accompanies the major exhibition at the Museum opening October 5.

Joseph Mallord William Turner (1775-1851) is widely considered the greatest artist in the history of Britain. Central to this claim is Turner’s mastery of watercolor, a medium he tackled in childhood and returned to throughout his life as he challenged, then surpassed all expectations of what could be achieved with the simple ingredients of paper, water, and pigment.

In this book 16 scholars, historians, and artists come together for a series of thematic conversations centered on this medium. Topics include the role watercolor played in Turner’s practice, its relationship to oil painting, what these works reveal about Britain in the grips of the Industrial Revolution, Turner’s relationship to the sea, and his impact today on contemporary art.

Contributors include Glenn Adamson, John Akomfrah CBE, Timothy Barringer, David Blayney Brown, Amy Concannon, Susan Grace Galassi, Ellen Harvey, Elizabeth Helsinger, Olivier Meslay, Mariana Marchesi, Alexander Nemerov, Katie Paterson, Victoria Pomery OBE, William S. Rodner, Sam Smiles, and Scott Wilcox.

This book illustrates more than 100 watercolors from the Turner Bequest at Tate, tracking the artist’s progress as he rivaled peers in the 1790s through to the 1840s, when Turner’s annual travels to Italy, Germany, and Switzerland fed an increasingly radical approach to color and technique. Many of these works were never intended to be seen by others, and were instead painted, in contemporary art critic John Ruskin’s words, “for his own pleasure.”

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