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MYSTIC SEAPORT MUSEUM ANNOUNCES THE AMERICAN INSTITUTE FOR MARITIME STUDIES (AIMS)

Photo, Left to right: Debra Schmidt Bach, PhD; Leah Prescott, MLS; Michael P. Dyer, MA; Akeia de Barros Gomes, PhD; Elysa Engelman, PhD

MYSTIC SEAPORT MUSEUM ANNOUNCES THE AMERICAN INSTITUTE FOR MARITIME STUDIES
LED BY AKEIA DE BARROS GOMES, PhD, THE WILLIAM E. COOK VICE PRESIDENT FOR MARITIME STUDIES; INITIATIVE UNITES MUSEUM’S RENOWNED HIGHER EDUCATION PROGRAMS 

Museum Appoints Leah Prescott, MLS, as Senior Administrator of Library Resources, Debra Schmidt Bach, PhD, as Director of Exhibitions, Elysa Engelman, PhD, as Director of Research and Scholarship, and Michael P. Dyer, MA, as Curator of Maritime History 

Mystic, CT. [September 25, 2024]Mystic Seaport Museum announces the launch of the American Institute for Maritime Studies (AIMS), an initiative that consolidates the Museum’s scholarship in maritime studies and elevates its role as the nation’s leading maritime research facility and academic institute. AIMS will strengthen the Museum’s graduate and undergraduate programs, including fellowships and internships through the newly created Department of Research and Scholarship. In addition to being the nation’s premier location for maritime scholarships, there will be a particular emphasis on making collections (both objects and manuscripts) more publicly accessible for researchers and the general public. AIMS will engage with institutions of higher education, including the Ruth J. Simmons Center for the Study of Slavery and Justice at Brown University, Williams College, and the University of Connecticut.  

The Museum has appointed Dr. Akeia de Barros Gomes as the William E. Cook Vice President for Maritime Studies at AIMS. De Barros Gomes joined the Museum in 2021 as Senior Curator of Maritime Studies. The Museum has also named Leah Prescott, MLS, as Senior Administrator of Library Resources at AIMS, Dr. Debra Schmidt Bach as Director of Exhibitions at the Museum, Dr. Elysa Engelman as Director of Research and Scholarship, and Michael P. Dyer, MA, Curator of Maritime History and Instructor, Frank C. Munson Institute of Maritime History. 

“I am thrilled to lead the American Institute for Maritime Studies as we embark on this important new chapter for the Museum,” says Dr. de Barros Gomes of her new role. “AIMS represents a significant step forward in the Museum’s mission to enhance the scholarship around maritime histories and to tell stories that have been passed from generation to generation.” 

AIMS will build upon ongoing research opportunities at the Museum, including fellowships, internships, and visiting scholars, by creating additional opportunities for community engagement and academic initiatives, including publications. Earlier this year Mainsheet: A Journal of Multidisciplinary Maritime Studies debuted. This biannual publication, available both online and in print, sets itself apart with its multidisciplinary approach, global themes and accessibility, and innovative design and distribution. Mainsheet offers a unique platform for scholars worldwide to explore maritime issues spanning the past, present, and future. AIMS scholars and staff will broaden their research through robust connections with national and international universities and museums, and will explore topics related to maritime cultural connections, maritime art, and social and economic issues through a contemporary lens. 

As the William E. Cook Vice President for Maritime Studies, Dr. de Barros Gomes will be responsible for bringing strategic vision and thought leadership to the Institute. She will oversee professionals dedicated to advancing the Museum’s academic presence in maritime studies and share those findings and stories with local and broader Museum visitors through exhibitions and programming. AIMS will also continue Dr. de Barros Gomes’s outreach to local communities to engage with oral histories. Previously as the Museum’s Senior Curator of Maritime Studies, Dr. de Barros Gomes was lead curator of the exhibition Entwined: Freedom, Sovereignty, and the Sea, on view at the Museum through April 2026. She is also the co-Director of the Museum’s Frank C. Munson Institute of American Maritime Studies along with Michael P. Dyer. Before joining Mystic Seaport Museum, she was Curator of Social History at the New Bedford Whaling Museum. She received a PhD and MA in Anthropology with a focus in Archeology from the University of Connecticut in 2008. 

Leah Prescott, MLS, has been appointed the new Senior Administrator of Library Resources. Prescott was previously the Associate Director for Collections and Co-Interim Director at the Harvard Law School Library and served as Associate Director for Digital Initiatives and Special Collections at Georgetown Law Center. Previously at Mystic Seaport Museum, she held several positions over two decades, including Manuscripts and Archives Librarian, Collections Information Technology Coordinator, Information Technologies Librarian, Manuscripts Assistant, and Museum Interpreter. Prescott holds a Master of Library Science and Information Studies from Syracuse University and a BA in American History from the University of Connecticut. She has been a Certified Archivist since 2005 and actively participates in the National Digital Stewardship Alliance, where she co-chaired the Infrastructure Interest Group from 2020 to 2022. 

Debra Schmidt Bach, PhD, has been appointed as the new Director of Exhibitions. Bach was previously the Curator of Decorative Arts and Special Exhibitions at the New-York Historical Society, where she curated and collaborated on numerous popular culture and social history exhibitions, including The Art of Winold Reiss: An Immigrant Modernist; Beyond Midnight: Paul Revere; and First Jewish Americans: Freedom and Culture in the New World. Bach lectures widely, has written numerous essays, articles, and blogs, and has contributed to exhibition catalogs and popular culture anthologies, including “Of Great Renown: The History of Rheingold Beer,” in The New York Mets in Popular Culture (McFarland & Co., 2020). Bach received an MA in American Studies from Columbia University and a PhD with a focus on material culture and design history from the Bard Graduate Center in 2015. 

Michael P. Dyer, MA, has been appointed the new Curator of Maritime History. Dyer was most recently Curator of Maritime History at the New Bedford Whaling Museum, where he curated several exhibits including most recently the exhibition All Hands: Yankee Whaling and the U.S. Navy (2023–24). He was an editor of Vistas: A Journal of Art, History, Science, and Culture, published by the New Bedford Whaling Museum, and is author of several monographs including “O’er the Wide and Tractless Sea”: Original Art of the Yankee Whale Hunt (New Bedford, 2017), and was previously an instructor in Maritime History at the Northeast Maritime Institute at Fairhaven, Massachusetts. Dyer was also a USA Gallery Inaugural Fellow at the Australian National Maritime Museum in 2008, and a 38th Voyager onboard the bark Charles W. Morgan of Mystic, Connecticut, in the summer of 2014. 

Elysa Engelman, PhD, has been appointed the AIMS Director of Research and Scholarship. This new position entails working with the curatorial team to produce scholarly output; organizing academic lectures, symposia, and conferences; developing scholarly publications; and managing AIMS-centered internships and fellowships. Engelman was previously Exhibits Researcher/Developer at Mystic Seaport Museum and then Director of Exhibits. She has a doctorate from Boston University in American and New England Studies and a BA from Yale University in English and Theater Studies. Engelman has taught courses in Women’s Studies, Public History, and the Historian as Detective at the University of Connecticut at Avery Point and written on wide-ranging topics including the maritime Underground Railroad, Route 66, Lydia E. Pinkham, and the threat of sea-level rise to maritime museums. 

About Mystic Seaport Museum  

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.” The Museum’s grounds cover 19 acres on the Mystic River and include a re-created New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art collection storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan.  

For more information, please visit mysticseaport.org and follow the Museum on FacebookXYouTube, and Instagram.  

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Mayflower II Departs the Museum

On Monday, April 11, 2022, Plimoth Patuxet’s Mayflower II departs from the Museum at approximately 3 p.m. The 65-year-old wooden vessel spent the winter months in dry dock at the Henry B. duPont Preservation Shipyard for routine maintenance and painting. The ship’s travel schedule is entirely dependent on tide, weather conditions, and other factors, and therefore subject to change without notice.

We look forward to welcoming visitors as The Mayflower II departs. For those who cannot view the launch in person you are able to track the ships journey here.

Read the press release here.

Enjoy this gallery of images from its time at the Museum this winter.

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News

“International Observe the Moon Night” is October 16, 2021!

Observe the Moon NIght

Image Credit: NASAThis weekend, astronomy enthusiasts around the world will look to the night sky and celebrate the Earth’s natural satellite. “International Observe the Moon Night” occurs every year in late September or early October, planned to happen just after a First Quarter Moon, when the Moon is in a waxing gibbous phase. During this time, features on the moon’s surface can be more easily seen along the terminator – the dividing line marking the edge of day and night on the Moon. In the image below, you may notice that craters and ridges on the Moon are much more noticeable along the terminator line. This is especially true when viewing the Moon through a telescope or a pair of binoculars.

observe the moon night
This image shows the very same moon phase that you can expect to see this weekend! Image credit: Popular Mechanics

Cultures all around the world have their own special connections to the Moon. The Ancient Egyptians worshipped Khonsu, the god of the Moon. His name means “traveler” as a reference to the daily and nightly journeys that the Moon will appear to make across the sky. In Egypt, as in many ancient societies, observations of the Moon led to early methods of keeping and tracking the passage of time.

In Norse mythology, Sol and Mani are a sibling pair who represent the Sun and Moon. While Sol carries the Sun across the sky on her chariot, her brother Mani carries the Moon. Wolves called Skoll and Hati are chasing the Sun and Moon across the sky, and if they were to catch one of these objects, they could cause the mysterious event that we now call eclipses of the Sun and Moon!

Out in the Pacific Ocean, the people of Polynesia call the Moon the “Chief Star of the Night.” Here, monthly activities are sometimes influenced by the phase of the moon. For example, a bright full moon might enable the planting of crops at night. Then, as the moon’s changing phase causes tides to recede, crabs and small fish could be harvested from the tidal pools left behind.

These are just a few examples of how people around the world connect with our Moon. This international celebration is a great time to explore the ways that our families and our communities share the same sky, while each bringing our own unique perspectives. We encourage you to connect with family members, friends, and neighbors to share stories, and to forge your own special connections with the world around us. And although the weather forecast for this coming Saturday calls for clouds in New England, fear not! The days leading up to and immediately following “International Observe the Moon Night” will still provide great opportunities to take a look at our closest neighbor in space. Enjoy the view!

Written By Brian Koehler, Planetarium Supervisor

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Press Releases

Terry Hutchinson Receives America and the Sea Award

Mystic, Conn., September 27, 2021 –  Mystic Seaport Museum honored world champion sailor Terry Hutchinson with its 2021 America and the Sea Award. The prestigious award recognizes those individuals and organizations whose extraordinary achievements best exemplify the American character in the scholarship, exploration, adventure, aesthetics, competition, and freedom that the sea inspires.  The award was presented at a gala fundraiser at the Metropolitan Club in New York City on September 14.

Hutchinson exemplifies the very pinnacle of competitive sailing through the remarkable leadership, integrity, courage, and humility he has demonstrated throughout his career in both victory and defeat. Mystic Seaport Museum President Peter Armstrong remarked, “His example in competitive sailing is an inspiration to younger generations to join the sport and represent themselves and their teams with dignity.”

Hutchinson’s notable accomplishments in sailing began in college at Old Dominion University, where he developed a reputation as an outstanding sailor and teammate, helping lead his team to four national championships. He went on to celebrate wins in the Key West Race Week, Congressional Cup, National Championship, North American Championship, and sixteen World Championships. With five America’s Cup campaigns under his belt and a sixth in the wings, in true Hutchinson spirit, he continues his quest for the Cup.

Past recipients of the America and the Sea Award include Hall of Fame sailor and President of North Technology Group, Thomas A. Whidden; American businesswoman and philanthropist Wendy Schmidt; groundbreaking America’s Cup sailor Dawn Riley, philanthropist and environmentalist David Rockefeller, Jr.; boat designers Rod and Bob Johnstone and their company J/Boats; author and historian Nathaniel Philbrick; maritime industrialist Charles A. Robertson; Hall of Fame sailor and author Gary Jobson; WoodenBoat Publications founder Jon Wilson; former Secretary of the Navy John Lehman; oceanographer and explorer Sylvia Earle; America’s Cup sailor William Koch; President and CEO of Crowley Maritime Corporation, Thomas Crowley; historian David McCullough; and legendary yacht designer Olin J. Stephens, II.

 ABOUT MYSTIC SEAPORT MUSEUM:

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.”

The Mystic Seaport Museum grounds cover 19 acres on the Mystic River in Mystic, CT, and includes a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan, America’s oldest commercial ship still in existence. At Mystic Seaport Museum, we strive to create an environment where visitors not only learn from us, but we learn from them. The concept is called Public History and it allows our visitors to experience history in ways they haven’t before.

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Remarkable Silver Objects and Wood Carvings Inspired by The Sea on Display Mystic Seaport Museum’s ‘Sea as Muse’ Exhibit Features 115 Unique Objects

 Mystic Seaport Museum’s ‘Sea as Muse’ Exhibit Features 115 Unique Objects

Mystic, Conn., SEPT. 23, 2021 – Dolphins and mermaids. Seaweed and sea urchins. Fast ships and ocean waves. Mystic Seaport Museum visitors to the Sea as Muse exhibit will find delightful details like these, inspired by sea life and life on the sea.

The Sea as Muse exhibit, funded by a generous grant from the Henry Luce foundation, opened in September and will run until summer 2022. On display are 115 remarkable objects, made by silversmiths and wood carvers that were inspired by the sea.

The exhibit showcases more than 50 silver trophies, many locally made in Meriden, CT or Providence, RI. Both places were home to some of the largest silver manufacturing companies in the country in the 1800s.

“In the late 19th Century, silversmiths and wood carvers often drew inspiration from the sea, and we are lucky to be able to showcase more than 100 of these pieces,” said Peter Armstrong, the Museum President.

Many of the trophies were awards for yachting and sailing competitions and while previous exhibits focused on the yacht themselves and their often-famous owners, this exhibit offers a fresh perspective, focusing on the fine art and intricate design of the treasures themselves. The incredible detail on the trophies depicts dolphins, sea horses, mermaids, anchors, as well as seashells sculpted by hand.

One of the elegant trophies has a unique background in that it was a very expensive insult! In big regattas during the late 1800s, it was common to give the owners of losing yachts a presentation piece as recognition of their participation. However, the Livonia trophy was awarded by anonymous Americans in London who clearly intended to mock the Livonia’s owner.

It commemorates the results of a yachting challenge to the New York Yacht Club by James Ashbury of England, who was determined to win the America’s Cup for the Royal Harwich Yacht Club. In a series of 5 races in October 1871, Ashbury’s Livonia competed against 2 American yachts, winning just 1 race against the Columbia. Ashbury contested the result but after an investigation, the New York Yacht Club affirmed its original decision. This trophy was not awarded by the New York Yacht Club however, as the engraving tells us that it was commissioned and presented to Ashbury by “Americans in London” as acknowledgment of Ashbury’s single win. The fact that it only mentions 1 win out of 5 and that both Ashbury’s name and the name of his yacht were misspelled all point towards this trophy being one very expensive insult.  The figures on top of the cup further suggest this, as the standing figure is Columbia, representing the United States, and the figure that kneels before her is Britannia, representing Great Britain. These two figures were depicted frequently in art and political cartoons that aimed to show that both nations were equally great, however on this trophy, Britannia shows subservience to Columbia—a subtle but clear suggestion of Britain’s—and Ashbury’s—inferiority.

 Unsurprisingly, Ashbury refused the cup and it was returned to the unknown Americans who gave it to him.

One piece called “the Palladium Trophy,” was named after The Daily Palladium, a newspaper in New Haven. It was made in 1887 in Meriden, CT and donated by the publication. It sometimes is referred to as the “Neptune Trophy.”

The exhibit includes masterpieces from The Gorham Manufacturing Company and Tiffany, including three Astor Cups, named for John Jacob Astor IV, who donated a large sum of money to the New York Yacht Club to pay for two trophies a year that would bear his name.

While much of the exhibit showcases fine silver, there is an incredible wood carving portion, featuring items from the yacht Aloha II, which was owned by a wealthy American named Arthur Curtiss James. The carvings on display are from the yacht’s deck saloon and include a series of magnificently carved wood panels that illustrate excerpts from an ancient Norse epic poem.

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 ABOUT MYSTIC SEAPORT MUSEUM:

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.”

The Mystic Seaport Museum grounds cover 19 acres on the Mystic River in Mystic, CT, and includes a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan, America’s oldest commercial ship still in existence. At Mystic Seaport Museum, we strive to create an environment where visitors not only learn from us, but we learn from them. The concept is called Public History and it allows our visitors to experience history in ways they haven’t before.

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Press Releases

ANTIQUE CARS DESCENDING UPON MYSTIC SEAPORT MUSEUM!

 Mystic Seaport Museum hosting pre-1932 vehicle show at its maritime village

Mystic, Conn., SEPT. 21, 2021 – More than 100 pre-1932 vehicles are expected to be at Mystic Seaport Museum Saturday, Sept. 25 for the Museum’s 24th Annual Antique Vehicle Show, By Land & By Sea. The Museum anticipates a delightful day of camaraderie and fun on the beautiful grounds of its maritime village.

By Land & By Sea is one of the many annual Museum events, and it’s a pleasure to present it for the public’s entertainment. Visitors will especially enjoy the afternoon Grand Parade around the Village Green and out through the Shipyard south gate.

“The Grand Parade of Vehicles is a vision to behold and is fun for all ages,” said Peter Armstrong, the Museum President.

Bring your camera and take advantage of a great opportunity to photograph motoring history. There will be conversation aplenty, lots of fun, and free rides for visitors.

The show is included as part of Museum admission and members, of course, get in free.

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 ABOUT MYSTIC SEAPORT MUSEUM:

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.”

The Mystic Seaport Museum grounds cover 19 acres on the Mystic River in Mystic, CT, and includes a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan, America’s oldest commercial ship still in existence. At Mystic Seaport Museum, we strive to create an environment where visitors not only learn from us, but we learn from them. The concept is called Public History and it allows our visitors to experience history in ways they haven’t before.

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Last Chance for CT Kids to Visit Mystic Seaport Museum For Free On Labor Day!

Mystic Seaport Museum hosting special “End of Summer” celebration during last free weekend

Mystic, Conn., AUG. 27, 2021 – On the last free weekend at Mystic Seaport Museum, the museum staff wants to thank the public by making the weekend extra special! There will be fun-filled festivities celebrating The Grand Panorama of a Whaling Voyage ‘Round the World exhibit, including a Hula demonstration by a Polynesian Dance Company, Cape Verdean Music and Dance, and Sea Music. The exhibit will last through March, but this is the last chance to see it for free.

The Grand Panorama is a 1,275-foot-long painting shown in sections at the museum. Painted in 1848, it depicts in fascinating detail the voyage of a whaleship on its journey around the globe.

On top of all this, there will be a full weekend of special programs and hands-on activities for kids and adults, celebrating the cultures, food, music, and journeys, from the Azores to West Africa, and Brazil to Hawaii, of The Grand Panorama. This is one event you won’t want to miss!

“At this end-of-summer event, we want to thank everyone who visited us this summer. We had a tremendous amount of visitors during the Free Museum Program, and we want to thank everyone for coming by putting on this special event for you,” said Peter Armstrong, the Museum President and CEO.

“Also, it will be the last chance to see the stunning Charles W. Morgan whaling ship out of the water. When the Morgan is out of the water it can be observed in its full magnificence.”

The Morgan, the last wooden whale ship in the world, will go back in the water shortly after Labor Day.

The Museum was able to offer free admission to visitors through Connecticut’s Summer at the Museum program. Even though the funding for that has already been used up, the Museum decided to continue to offer free passes so the public could benefit from its offerings.

Some highlights of the Labor Day festival include:

All events and activities are included in Museum admission. Connecticut children and one accompanying adult are Free with Connecticut’s Summer at the Museum program all weekend.

 ABOUT MYSTIC SEAPORT MUSEUM:

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.”

The Mystic Seaport Museum grounds cover 19 acres on the Mystic River in Mystic, CT, and includes a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan, America’s oldest commercial ship still in existence. At Mystic Seaport Museum, we strive to create an environment where visitors not only learn from us, but we learn from them. The concept is called Public History and it allows our visitors to experience history in ways they haven’t before.

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Two Weeks Left for CT Kids Free Program

If you haven’t made your way over to Mystic Seaport Museum this summer, there are a couple more weeks to take advantage of free admission. Connecticut children ages 18 and under – plus one accompanying adult – can visit Mystic Seaport Museum for free through September 6. The program, which was announced earlier this summer by Gov. Ned Lamont, is part of an effort to provide students and families with educational and enrichment experiences using COVID-19 recovery funds.

“After a traumatic year where children were cooped up in front of a computer screen, we are pleased to offer an outdoors learning experience, where they can be outside, go for a boat ride, and learn new things — but most important, get out in the fresh air and have fun with their family,” said Museum President Peter  Armstrong.

Eligibility for the program requires children and adults to be Connecticut residents. Participants are encouraged to complete a brief form   on the Museum’s website to order free admission tickets in advance of visiting. Mystic Seaport Museum does not limit the number of free visits families may enjoy during the program. Everyone who qualifies for free admission may attend any day of their choosing.

You will find no shortage of fun and exhibits when you visit the Museum. Included in admission is A Spectacle in Motion: The Grand Panorama of a Whaling Voyage ‘Round the World. The Panorama is the longest painting in North America, owned and conserved by the New Bedford Whaling Museum. The painting is more than 1250 feet long and recreates the experience of a whaling voyage of the 1840s. The painting depicts the voyage of a typical mid-19th century New Bedford whaleship on its journey ‘round the world’ in pursuit of whales. The details are stunning and mesmerizing and depict scenes in Azores, Cape Verde, Brazil, Tahiti, and Hawaii.

To purchase your free admission tickets, visit https://mysticseaport.wpengine.com/visit/ct-kids-free-admission/.

No matter your age, you’ll want to visit the Mystic Seaport Museum, but if you qualify – be sure to take advantage of Connecticut Kids Free Admission.

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Largest Wooden Boat Show In New England At Mystic Seaport Museum

Mystic Seaport Museum expecting large gathering of boating enthusiasts

Mystic, Conn., AUG. 18, 2021 – A big gathering of wooden boats and enthusiasts throughout New England will converge at Mystic Seaport Friday through the weekend for the Wooden Boat Show and Antique Marine Engine Expo.

There will be more than 100 traditional and classic wooden boats of every type on display, from handcrafted kayaks to mahogany runabouts, to classic daysailers and schooners.  This is the largest gathering of wooden boats and enthusiasts in New England.

In conjunction with the boat show, the Museum is also having its antique marine engine expo, which is one of the oldest major marine engine shows in the nation, with more than 300 exhibits. Many of the engines will be operating as well as the day they were first purchased. Steamers huffing and puffing, inboards chugging away in their mounting stands, and more. Enjoy this stroll through maritime engine history.

More information about the shows is available here:

https://mysticseaport.wpengine.com/events/the-woodenboat-show/

https://mysticseaport.wpengine.com/events/antique-marine-engine-expo/

 ABOUT MYSTIC SEAPORT MUSEUM:

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.”

The Mystic Seaport Museum grounds cover 19 acres on the Mystic River in Mystic, CT, and includes a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan, America’s oldest commercial ship still in existence. At Mystic Seaport Museum, we strive to create an environment where visitors not only learn from us, but we learn from them. The concept is called Public History and it allows our visitors to experience history in ways they haven’t before.

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