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Brickwrecks: Sunken Ships in LEGO® Bricks

BRICKWRECKS

Sunken Ships in LEGO® Bricks

Opens March 28, 2026

Stillman Building

Historic and modern shipwrecks tell incredible stories of exploration, trade, tragedy, and discovery. Brickwrecks: Sunken Ships in LEGO® Bricks brings those stories to life through an extraordinary blend of LEGO® models, real artifacts, and hands-on experiences. Mystic Seaport Museum is the first American venue for this exhibition, developed by the Australian National Maritime Museum in  partnership with the Western Australian Museum and Ryan “The Brickman” McNaught—one of only 14 LEGO® Certified Professionals in the world.

In this family-friendly exhibition, you will marvel at eleven stunning LEGO® models that explore eight remarkable shipwrecks spanning centuries of maritime history, from the Bronze Age trading vessel Uluburun to the modern container ship Rena. The exhibit includes cutaways and reconstructions of the Vasa, Titanic, and Franklin’s ill-fated Arctic expedition ships Terror and Erebus. Interactive stations invite you to capsize the Vasa, pilot an ROV (remote operated vehicle) beneath the ice, test whether you would have survived the Titanic disaster, clean oil from a penguin, and build your own LEGO® creations. Replica objects from the Batavia, archaeological tools, and multimedia displays connect LEGO® artistry with the real work of maritime archaeology. 

Brickwrecks is both playful and profound, revealing how shipwrecks help us understand people, technology, trade, and the environment across centuries. The exhibition was most recently on display in the UK at the Historic Dockyard Chatham and was shown previously at the Vasa Museum in Stockholm. 

Deckster is currently on his way across the Atlantic from the Historic Dockyard Chatham to Mystic Seaport Museum!

Photo courtesy of Chatham Historic Dockyard Trust.

Exhibition Events

Saturday, March 28, Opening Day

  • Celebrate the opening of Brickwrecks: Sunken Ships in LEGO® Bricks with a special opening day event. Drop in from 11:00 a.m. to 3:00 p.m. to participate in a collaborative LEGO® mosaic build guided by members of ConnLUG, a Connecticut-based LEGO® fan group. Located in the Pilalas Lobby of the Thompson Exhibition Building at the North Entrance, builders of all ages are encouraged to help create a shared work of art inspired by the exhibition. Included with general admission and free for Museum Members.

Throughout the Exhibition Run

  • Continue the fun! Pick up a Brick Bingo sheet at the Museum entrance and explore the historic Seaport Village in search of hidden LEGO® minifigures! 

Shipwrecks

Monstrous: Whaling and Its Colossal Impact

Monstrous

Whaling and Its Colossal Impact

Now on Exhibit

Collins Gallery, Thompson Exhibition Building

Step into the world of 19th-century American whaling with Monstrous: Whaling and Its Colossal Impact, a powerful new exhibition that explores the sheer scale—physical, economic, and human—of the nation’s whaling industry and its legacy. 

Explore hundreds of striking artifacts from the Museum’s renowned whaling collections—tools, old photographs, ship models, documents, and more—most of which have never been exhibited together before. Hefty iron trypots, harpoons, darting guns, and blubber hooks tell the story of the extraordinary lengths commercial whalers went to harvest oil-rich blubber and spermaceti. These items speak to the staggering risks and resource demands of an industry that lit America’s lamps and greased its machines for over a century. 

Through vivid paintings, lithographs, and rare historic photographs, Monstrous brings to life the perilous activities involved in chasing, capturing, and processing whales—many of these scenes taken from our Robert Cushman Murphy and H. S. Hutchinson & Co. photography collections. Visitors will come face-to-face with images of whalers “cutting in” and “trying out” aboard floating factories, viewed alongside the very tools used in the hunt. 

At the forefront of the exhibition is Or, The Whale, a monumental 51-foot mural by artist Jos Sances. Shaped like a life-sized sperm whale and created from 119 intricately inscribed scratchboard panels, the mural immerses viewers in a visual journey through three centuries of American industrialism. Influenced by Herman Melville’s Moby-Dick and Rockwell Kent’s iconic illustrations, Sances’s work weaves together scenes of industry, innovation, and ecological transformation. Visitors can dive deeper into the mural through an artist video and interactive digital experience powered by ThingLink. 

The exhibition also features exquisite consumer goods made from whale byproducts—items of both beauty and utility. See ornate examples of scrimshaw, including knitting needles, corset busks, boxes, and a rare scrimshaw lathe and bandsaw. These artifacts underscore how deeply whale oil and materials were embedded in 19th-century daily life. 

Monstrous goes beyond tools and trade to tell personal stories of the people behind the industry. Discover the lives of multicultural whaling crews, including Cape Verdean whalers like Antoine DeSant, who settled in New London in 1860. Learn about women who defied conventions by joining whaling voyages not only as wives and mothers but also as navigators, nurses, and log keepers. One remarkable figure, Charlotte “Lottie” Church, signed on as an assistant navigator in 1909 and was the last woman to sail aboard the Charles W. Morgan during its whaling career. 

Two extraordinary whaling logs offer deeper insight into life at sea—one from the bark Ohio (1875–78) complete with whale stamps, and another handmade in 1821 from burlap and sailcloth by a Cape Verdean whaler. These documents, along with models of whaling ships and samples of commercial whale oil, offer a comprehensive and moving look at an industry that helped shape our region and nation. 

Don’t miss the chance to experience this bold and thought-provoking exhibition that blends art, history, and storytelling to explore whaling’s monstrous impact on the world—and the people—who built it. 

Figureheads and Shipcarvings

FIGUREHEADS AND SHIPCARVINGS

Now on Exhibit

Open Year-round

Wendell Building

After more than 40 years, the Museum’s figureheads exhibit received a makeover. Through a generous grant from the Henry Luce Foundation, curators Katherine Hijar and Mirelle Luecke re-imagined this visitor favorite with a major new exhibit, Figureheads & Shipcarvings.

Since ancient times and across cultures, decorations have adorned the bows of boats and ships, from the Nile and the Mediterranean to the far North Atlantic and Pacific Oceans. Dutch and English ships of the 19th century were the first to sport figureheads like the ones we know today. Lions and unicorns were particular favorites of the English navy, and Dutch naval ships featured red lions. Spanish ships mounted figureheads depicting saints, no doubt to ensure blessings and safe passage. By the 18th century, European shipcarvers crafted figureheads that depicted a wide array of subjects, human and animal. The decline of figureheads came with the advent of steam power in the late 19th century, which influenced changes in the design of oceangoing ships. Since steam-powered ships no longer required rigging for sails, ships’ bows no longer provided a natural place for a figurehead to be mounted.

The new exhibit showcases the depth and breadth of the Museum’s carving collections. In addition to figureheads, it features other 19th-century ship carvings, shop figures, and our latest acquisition, a magnificent carousel hippocampus. The exhibit showcases only a fraction of the Museum’s collection. Because of space limitations, 45 figureheads and dozens of other maritime carvings will remain in the Museum’s vaults.

Ship’s figureheads were an important form of public art in the 19th century. A figurehead gave a ship its personality, and each one expressed a unique meaning, imbued with values and reflecting popular culture of the time. This reinterpretation aims to help visitors see these objects through 19th-century eyes, and to understand and appreciate the craft of carving and figureheads as an important art form.

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