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Lights, Camera, Now Hold Still For A Long Time And Don’t Smile

Mystic Seaport Museum Opens ‘When This You See, Remember Me,’ a deep dive into 19th century photography on Saturday, January 19

Local photographers Everett Scholfield and George Tingley took thousands of photos during their careers, which spanned the late 19th and early 20th centuries. They took portraits, landscapes, business photos, artistic works, and pictures of local interest. And Tingley’s connection to the Museum goes back to its founding days 90 years ago.

The two men’s overlapping careers spanned the years 1865-1930. Scholfield was an itinerant businessman and frequently moved to different locations around southeastern Connecticut and Rhode Island, although he eventually settled in New London. Tingley spent the bulk of his career in Mystic. Over the years beginning in the 1970s, photographs taken by both Scholfield and Tingley, as well as their original backdrops, cameras, coupons, and ads were donated to the Museum, ultimately resulting in an extensive collection.

In fact, in 1930 George Tingley presented two of his photographs – depicting a battleship and a tow boat – to Dr. Charles Stillman, one of the men who had founded Mystic Seaport Museum a year earlier. These were the first two photographs in the museum’s collections. Over time, Tingley’s two photographs were joined by many others and today the photographic collection – one of the most important in the United States – includes more than 1 million images.

The show, which opens Saturday, January 19 at 10 a.m., explores advances in photographic technology and techniques in late 1800s studio photography from the perspective of both the sitter and the photographer. Scholfield and Tingley worked with bulky and complicated equipment. They captured images on glass and then had to mix and work with chemicals to create photographs. Color photographs did not exist and they could not make enlargements; to make a large photo they had to make a very large glass negative.

Portrait photography in those days could be a tortured process. Photographers had to make sure cameras, negatives, and equipment were in place, as well as any desired furniture, backdrops, or props. They also needed sufficient lighting; a frequent challenge in the days before electricity. Those sitting for the portrait had to be posed, and then sit still for many minutes while the photograph was being taken. Any movement would result in a blurry picture. This was particularly challenging when children and/or pets were involved. Added to all that stress, the image the photographer saw through the lens was upside down.

Using a recreated set based upon artifacts from Scholfield’s studio, visitors to the exhibition will be able to take their own 19th century-style portrait. They can practice composing a scene viewed upside down through a period camera, learn about the darkroom process, and experiment with props and poses. They then can take their own photo with their camera or smartphone.

Visitors will be encouraged to share their picture on social media with #MSMRememberMe and an Instagram feed of the resulting images will be streamed as part of the exhibition.

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Mystic Seaport Museum to Open “When This You See, Remember Me: The Photography of Everett Scholfield and George Tingley” on January 19

Exhibition Invites Visitors to Explore and Experience Portrait Photography of the Late 1800s

Mystic, Conn. (January 10, 2019) — Mystic Seaport Museum will open its latest exhibition, When This You See, Remember Me, Saturday, on January 19, 2019. The show explores advances in photographic technology and techniques in late 1800s studio photography from the perspective of both the sitter and the photographer.

Based on thousands of portraits in the Museum’s collection by local Connecticut photographers Everett Scholfield and George Tingley, the exhibition also features their original backdrops, cameras, coupons, and ads. Scholfield and Tingley worked with bulky and often-complicated equipment. They captured images on fragile pieces of glass and then had to mix and work with chemicals to create photographs. Color photographs did not exist and they could not make enlargements; to make a large photo they had to make a very large glass negative.

“In this age of smartphones and selfies, when everyone has a camera in their pocket, it is hard to imagine what it was like when photography was new and sitting for a formal portrait was a big deal,” said Elysa Engelman, director of Exhibits at Mystic Seaport Museum. “This exhibition returns the visitor to that time and asks them to consider the ways in which photography has changed and ways in which it has stayed the same.”

Using a recreated set based upon artifacts from Scholfield’s studio, visitors will be able to take their own 19th century-style portrait. They can practice composing a scene viewed upside down through a period camera, learn about the darkroom process, and experiment with props and poses. They then can take their own photo with their camera or smartphone.

Visitors will be encouraged to share their picture on social media with #MSMRememberMe and an Instagram feed of the resulting images will be streamed as part of the exhibition.

The two men’s overlapping careers spanned the years 1865-1930. Scholfield was an itinerant businessman and frequently moved to different locations around southeastern Connecticut and Rhode Island, although he eventually settled in New London. Tingley spent the bulk of his career in Mystic. Framed photographs and an extensive slideshow brings visitors face-to-face with a diverse selection of people from those areas, including people of different backgrounds – African American, Asian, Native American – various occupations – woodcutter, postal worker, musician – and of all life stages, from infants to elders. Most of the subjects are not identified and visitors with local ancestors are invited to see if they can spot a relative in the show. Museum curators are hopeful the collection catalog can be expanded through the public exposure in the exhibition.

When This You See, Remember Me, will be located in the Museum’s R.J. Schaefer Building. It runs through April 28, 2019.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that is showing Death in the Ice: The Mystery of the Franklin Expedition, a major exhibition of one of seafaring’s most mysterious tragedies through April 28, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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Mystic Seaport Museum to Expand Operating Hours January 1, 2019

Mystic, Conn. (December 20, 2018) — Mystic Seaport Museum will expand its operating hours January 1, 2019, to provide the public greater opportunity to visit the traveling exhibition Death in the Ice: The Mystery of the Franklin Expedition  now open in the Museum’s Thompson Exhibition Building.

The exhibition explores the fate of the Franklin Expedition, which set sail from London in 1845 in an attempt to find the elusive Northwest Passage across the Arctic to Asia. Sir John Franklin and his 128-man crew, aboard the ships HMS Erebus and HMS Terror, all perished. The exact nature of their fate is one of the most enduring mysteries of maritime history.

Beginning January 1, the exhibition will be open daily 10 a.m.-4 p.m. The show will be exclusively open Monday-Wednesday for a flat admission rate of $10 per person.

The Museum has a wider offering Thursday-Sunday that includes Death in the Ice, plus the indoor exhibition galleries, Planetarium, Children’s Museum, historic Buckingham-Hall House, and the 1841 whaleship Charles W. Morgan. Highlights of the current exhibition slate include Monument Man: Kevin Sampson in Residence and When This You See, Remember Me, a new exhibition opening January 19 that explores late 19th– and early 20th-century portrait photography through the work of local photographers Scholfield and Tingley. Visitors will be able to step back in time to experience what it was like to take a formal portrait in that era and stage their own photograph with their smartphones.

Admission rates Thursday-Sunday through February 15 are Adults $19, Senior (ages 65+) $19, and Youth (ages 3-14) $12. Children (2 and younger) are admitted free.

The Museum’s Village and Shipyard will be closed to the public until February 16.

Death in the Ice: The Mystery of the Franklin Expedition is a traveling exhibition developed by the Canadian Mu­seum of History (Gatineau, Canada), in partnership with Parks Canada Agency and with the National Maritime Museum (Lon­don, UK), and in collaboration with the Govern­ment of Nunavut and the Inuit Heritage Trust.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that is showing Death in the Ice: The Mystery of the Franklin Expedition, a major exhibition of one of seafaring’s most mysterious tragedies through April 28, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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Opening Ceremony Set for “Death in the Ice” Exhibition Saturday

Mystic Seaport Museum will mark the opening of its newest exhibition, Death in the Ice: The Mystery of the Franklin Expedition, with a public ceremony beginning at 10 a.m., Saturday, December 1.

The event will take place in the River Room in Latitude 41° Restaurant & Tavern, 105 Greenmanville Ave., Mystic, CT. It is free and open to the public. If you are unable to attend in person, it will be livestreamed on YouTube. You can bookmark the livestream here.

Death in the Ice: The Mystery of the Franklin Expedition, explores the fate of the Franklin Expedition, a tragic story of The HMS EREBUS Bell © Parks Canada, Marni Wilson, 2014. The ship’s bell was the first artifact recovered from HMS EREBUS. It is marked with "1845," the year Franklin’s Expedition departed Britain.Arctic exploration and death and one of the most enduring mysteries of maritime history – a mystery that remains unsolved to this day. Setting sail from London on May 19, 1845, Sir John Franklin and his 128-man crew, aboard Erebus and Terror, were the British nation’s biggest hope of finally traversing the Northwest Passage – the much desired, possibly faster, trade route from Europe to Asia.

Franklin and his men were last seen by Europeans in Baffin Bay in July 1845. Two years would pass with nothing heard from the men, prompting the first of a series of expeditions to be sent into the Arctic in an attempt to find them and the reasons why they had not been in touch with the Admiralty or loved ones at home. In all, 36 expeditions would set out in search of the lost ships and their crew.

The exhibition includes more than 200 objects from the collections of the National Maritime Museum in London (NMM) and the Canadian Museum of History (CMH), alongside finds recovered by Parks Canada from Franklin’s ship HMS Erebus. The artifacts from Erebus – the vessel was discovered underwater in 2014 – will be on display for the first time in the United States. The exhibition promises to advance our understanding of the expedition and the fate of Franklin and his men.

The exhibition will emphasize the significant role of Inuit in uncovering the fate of the Franklin Expedition, showcasing Inuit oral histories relating to the European exploration of the Arctic Archipelago. Numerous Inuit artifacts, including some incorporating materials of European origin, which were traded from explorers or retrieved from abandoned ships, will also be on display in the exhibition, highlighting the interactions between the search expeditions and the Inuit.

The exhibition was developed by the Canadian Mu­seum of History (Gatineau, Canada), in partnership with Parks Canada Agency and with the National Maritime Museum (Lon­don, UK), and in collaboration with the Govern­ment of Nunavut and the Inuit Heritage Trust.

In attendance at the public opening will be Steve White, President of Mystic Seaport Museum; Nicholas Bell, Senio Vice President for Curatorial Affairs at Mystic Seaport Museum; Mike Hudner, Mystic Seaport Museum Trustee; members of the Mashantucket Pequot, Mohegan, and Inuit tribes; Jean-Marc Blais, Director General of the Canadian Museum of History; Marc-Andre Bernier, Manager of Underwater Archaeology for Parks Canada; Phyllis Yaffe, Canadian Consul General in New York; Alex Stubbing, Director of Heritage for the Government of Nunavut, and a representative of the Inuit Heritage Trust.

An American Sign Language (ASL) interpreter will be at the ceremony for the hearing impaired.

Death in the Ice will run December 1, 2018-April 28, 2019, in the Collins Gallery of the Thompson Exhibition Building. It is included in museum admission. Mystic Seaport Museum’s winter hours are 10 a.m. to 4 p.m., Thursday-Sunday. Visit our website for more information.

 

 

 

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Unraveling An Enduring Arctic Mystery

New exhibition at Mystic Seaport Museum explores what happened to the Franklin Expedition, two ships and 129 men that disappeared in the Arctic in 1845.

The Franklin Expedition is a tragic story of Arctic exploration and death and one of the most enduring mysteries of maritime history – a mystery that remains unsolved to this day.

Death in the Ice: The Mystery of the Franklin Expedition will display more than 200 objects from the collections of the National Maritime Museum in London (NMM) and the Canadian Museum of History (CMH), alongside finds recovered by Parks Canada from Franklin’s ship HMS Erebus. The artifacts from Erebus – the vessel was discovered under water in 2014 – will be on show for the first time in the United States. The exhibition promises to advance our understanding of the expedition and the fate of Franklin and his men. Death in the Ice will also explore both the Eu­ropean and Inuit perspectives, including the importance of the Inuit to those searching for the remains of the expedition.

“We are very pleased to be presenting this compelling and mystifying story, which has had a hold on the imaginations of so many since the ships disappeared into the Arctic,” said Steve White, president of Mystic Seaport Museum. “We are particularly pleased to highlight the critical role Inuit have played in the Franklin story, from the years immediately following the expedition’s loss to the recent discoveries of the ships. Though much of what happened to the expedition remains a mystery, what we do know is largely thanks to Inuit oral history and underwater archaeology.”

Setting sail from London on May 19, 1845, Sir John Franklin and his 128-man crew, aboard Erebus and Terror, were the British nation’s biggest hope of finally traversing the Northwest Passage – the much desired, possibly faster, trade route from Europe to Asia.

30 years of clues

Franklin and his men were last seen in Baffin Bay in July 1845. Two years would pass with nothing heard from the men, prompting the first of a series of expeditions to be sent into the Arctic in an attempt to find them and the reasons why they had not been in touch with the Admiralty or loved ones at home. Over the course of the next 30 years, news and relics, such as snow goggles, cutlery, and a portable stove – examples of which can be seen in Death in the Ice – filtered back out of the Arctic and spoke to what had happened: the deaths of the entire crew through a combination of factors including scurvy and starvation, speculation of cannibalism, and potential madness brought on by lead poisoning. It was not until 1859 that a sole piece of paper, often known as the Victory Point Note (and on display as part of the exhibition), was found and revealed anything about what happened, including the date of Sir John Franklin’s death – June 11, 1847.

However, ErebusTerror, and the bodies of Franklin and most of his crew were still nowhere to be found (three bodies were found buried on Beechey Island and two skeletons were returned to Britain during the 19th century).

That was until 2014, when the wreck of Erebus was discovered by Parks Canada, as part of a multi-faceted partnership that included government, private, and non-profit groups. This was followed by the discovery of Terror in 2016, marking two of the most important archaeological finds in recent history. As Parks Canada’s Underwater Archaeology Team begins to bring to light the ships and their contents, Death in the Ice will see objects relating to the expedition and the subsequent search parties, including personal items, clothing, and components of the ship. Furthermore, finds from Erebus itself will be on display, including the ship’s bell.

The role of the Inuit

The exhibition will emphasize the significant role of Inuit in uncovering the fate of the Franklin Expedition, showcasing Inuit oral histories relating to the European exploration of the Arctic Archipelago. Numerous Inuit artifacts, including some incorporating materials of European origin that were traded from explorers or retrieved from abandoned ships, will also be on display in the exhibition, highlighting the interactions between the search expeditions and the Inuit.

Also featured will be the work of Dr. Owen Beattie of the Franklin Expedition Forensic Anthropology Project, who has used forensic techniques to examine human remains recovered from Beechey Island. Examination of tissues collected from the men’s bodies found that the amount of lead in the bones of some of the men that had been found was exponentially high, leading to the theory that lead poisoning may have been one of the factors contributing to the expedition’s demise.

In conjunction with new research from Parks Canada and the collections of CMH and NMM, the exhibition will further understanding of the expedition and reveal what life was like for the men aboard the ships, explore the Victorian obsession with the Arctic, and seek to answer questions about what exactly may have happened to those men on their fateful journey to chart the Northwest Passage all those years ago.

The exhibition will run December 1, 2018-April 28, 2019, in the Collins Gallery of the Thompson Exhibition Building.

Death in the Ice: The Mystery of the Franklin Expedition is a traveling exhibition developed by the Canadian Mu­seum of History (Gatineau, Canada), in partnership with Parks Canada Agency and with the National Maritime Museum (Lon­don, UK), and in collaboration with the Govern­ment of Nunavut and the Inuit Heritage Trust.

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Mystic Seaport Museum to Open Death in the Ice: The Mystery of the Franklin Expedition December 1, 2018

Major Exhibition Explores One of the Sea’s Most Enduring Puzzles: The Fate of 129 Men Who Disappeared in the Arctic in 1845

Death in the Ice: The Mystery of the Franklin ExpeditionMystic, Conn. (November 2, 2018) – Mystic Seaport Museum will host a major exhibition opening December 1, 2018, that explores the fate of the Franklin Expedition, a tragic story of Arctic exploration and death and one of the most enduring mysteries of maritime history – a mystery that remains unsolved to this day.

Death in the Ice: The Mystery of the Franklin Expedition will display more than 200 objects from the collections of the National Maritime Museum in London (NMM) and the Canadian Museum of History (CMH), alongside finds recovered by Parks Canada from Franklin’s ship HMS Erebus. The artifacts from Erebus – the vessel was discovered under water in 2014 – will be on show for the first time in the United States. The exhibition promises to advance our understanding of the expedition and the fate of Franklin and his men. Death in the Ice will also explore both the Eu­ropean and Inuit perspectives including the importance of the Inuit to those out looking for the remains of the expedition.

“We are very pleased to be presenting this compelling and mystifying story, which has had a hold on the imaginations of so many since the ships disappeared into the Arctic,” said Steve White, president of Mystic Seaport Museum. “We are particularly pleased to highlight the critical role Inuit have played in the Franklin story, from the years immediately following the expedition’s loss to recent discoveries of the ships. Though much of what happened to the expedition remains a mystery, what we do know is largely thanks to Inuit oral history and underwater archaeology.”

Setting sail from London on May 19, 1845, Sir John Franklin and his 128-man crew, aboard Erebus and Terror, were the British nation’s biggest hope of finally traversing the Northwest Passage – the much desired, possibly faster, trade route from Europe to Asia.

Franklin and his men were last seen by Europeans in Baffin Bay in July 1845. Two years would pass with nothing heard from the men, prompting the first of a series of expeditions to be sent into the Arctic in an attempt to find them and the reasons why they had not been in touch with the Admiralty or loved ones at home. Over the course of the next 30 years, news and relics, such as snow goggles, cutlery, and a portable stove – examples of which can be seen in Death in the Ice – filtered back out of the Arctic and spoke to what had happened: the deaths of the entire crew through a combination of factors including scurvy and starvation, and speculation of cannibalism and potential madness brought on by lead poisoning. It was not until 1859 that a sole piece of paper, often known as the Victory Point Note (and on display as part of the exhibition), was found and revealed anything about what happened, including the date of Sir John Franklin’s death – June 11, 1847.

However, ErebusTerror, and the bodies of Franklin and most of his crew were still nowhere to be found (three bodies were found buried on Beechey Island and two skeletons were returned to Britain during the 19th century).

That was until 2014, when the wreck of Erebus was discovered by Parks Canada, as part of a multi-faceted partnership that included government, private, and non-profit groups, followed by the discovery of Terror in 2016, marking two of the most important archaeological finds in recent history. As Parks Canada’s Underwater Archaeology Team begins to bring to light the ships and their contents, Death in the Ice will see objects relating to the expedition and the subsequent search parties, including personal items, clothing, and components of the ship. Furthermore, finds from Erebus itself will be on display, including the ship’s bell.

The exhibition will emphasize the significant role of Inuit in uncovering the fate of the Franklin Expedition, showcasing Inuit oral histories relating to the European exploration of the Arctic Archipelago. Numerous Inuit artifacts, including some incorporating materials of European origin, which were traded from explorers or retrieved from abandoned ships, will also be on display in the exhibition, highlighting the interactions between the search expeditions and the Inuit.

Also featured will be the work of Dr. Owen Beattie of the Franklin Expedition Forensic Anthropology Project, who has used forensic techniques to examine human remains recovered from Beechey Island. Examination of tissues collected from the men’s bodies found that the amount of lead in the bones of some of the men that had been found was exponentially high, leading to the theory that lead poisoning may have been one of the factors contributing to the expedition’s demise.

In conjunction with new research from Parks Canada and the collections of CMH and NMM, the exhibition will further understanding of the expedition and reveal what life was like for the men aboard the ships, explore the Victorian obsession with the Arctic, and seek to answer questions about what exactly may have happened to those men on their fateful journey to chart the Northwest Passage all those years ago.

The exhibition will run December 1, 2018-April 28, 2019, in the Collins Gallery of the Thompson Exhibition Building.

Death in the Ice: The Mystery of the Franklin Expedition is a traveling exhibition developed by the Canadian Mu­seum of History (Gatineau, Canada), in partnership with Parks Canada Agency and with the National Maritime Museum (Lon­don, UK), and in collaboration with the Govern­ment of Nunavut and the Inuit Heritage Trust.

Images for Media Use

High-resolution images are available for download from the Mystic Seaport Museum website.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building is a state-of-the-art space that will host Death in the Ice: The Mystery of the Franklin Expedition, a major exhibition of one of seafaring’s most mysterious tragedies December 1, 2018, through April 28, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

Canadian Museum of History

Located on the shores of the Ottawa River in Gatineau, Quebec, the Canadian Museum of History attracts over 1.2 million visitors each year. The Museum’s principal role is to enhance Canadians’ knowledge, understanding and appreciation of the events, experiences, people and objects that have shaped Canada’s history and identity, as well as to enhance Canadians’ awareness of world history and culture. Work of the Canadian Museum of History is made possible in part through financial support of the Government of Canada.

National Maritime Museum

The National Maritime Museum holds the world’s largest maritime collection, housed in the historic buildings that form part of the Maritime Greenwich World Heritage Site. The National Maritime Museum is part of Royal Museums Greenwich, which also incorporates the Royal Observatory Greenwich, the 17th-century Queen’s House and the Cutty Sark. Royal Museums Greenwich works to illustrate, for everyone, the importance of the sea, ships, time and the stars, and their relationships to people. This unique collection of museums and heritage buildings, which form a key part of the Maritime Greenwich UNESCO World Heritage Site, welcomes more than 2.5 million British and international visitors a year, and is one of the Top 10 most-visited UK attractions (ALVA). Royal Museums Greenwich is also a major center of education and research.

Parks Canada

Parks Canada manages one of the finest and most extensive systems of protected natural and cultural areas in the world, including 46 national parks, four national marine conservation areas, 171 national historic sites and one national urban park. Parks Canada works to ensure that Canada’s historical and natural heritage is presented and protected for the enjoyment, education and appreciation of Canadians and visitors from around the world, today and in the future.

Government of Nunavut

Established in 1999, the Government of Nunavut represents more than 40,000 Nunavummiut living sparsely on a land nearly two million square kilometers in size. Nunavut is Canada’s largest territory and the newest member of the Canadian Confederation. Nunavut (Inuktitut for “Our Land”) has a rich and complex human history spanning nearly 5,000 years, highlighted by the remarkable ability of Inuit and their predecessors to adapt and to thrive in one of the world’s harshest and most challenging environments.

Inuit Heritage Trust

The Inuit Heritage Trust is dedicated to the preservation, enrichment and protection of the Inuit cultural heritage and identity embodied in Nunavut’s archaeological sites, ethnographic resources, and traditional place names. Its activities are based on the principle of respect for the traditional knowledge and wisdom of Inuit Elders. The Trust receives its mandate directly from the Nunavut Land Claims Agreement.

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Mystic Seaport Museum to Host Major Exhibition of J.M.W. Turner Watercolors

J.M.W. Turner, "Venice: San Giorgio Maggiore - Early Morning," 1819, watercolour on paper. Tate: Accepted by the nation as part of the Turner Bequest 1856 © Tate, London 2018
J.M.W. Turner, “Venice: San Giorgio Maggiore – Early Morning,” 1819, watercolour on paper. Tate: Accepted by the nation as part of the Turner Bequest 1856 © Tate, London 2018

Mystic Seaport Museum, in partnership with Tate, London, will host a major monographic exhibition devoted to the watercolors of one Britain’s greatest painters: J.M.W. Turner (1775-1851). Mystic Seaport Museum will be the only North American venue for the exhibition, which will be on display October 2019-February 2020.

The exhibition – curated by David Blayney Brown, Tate’s Manton Senior Curator of British Art 1790-1850 – will provide an exceptional opportunity to see key works spanning the entire career of the famous artist. A unique collection of about 90 works, the selection will provide a view into the evolution of the artist’s vision and creative process.

“Few artists have captured the beauty and majesty of the sea as J.M.W. Turner. Anyone who has sought art that accurately represents their personal experience of the sea has had to contend with the sheer genius of his lifelong look at that subject,” said Steve White, president of Mystic Seaport Museum. “This is not an exhibition of the sea, but Turner represents for so many the most sublime representation of that feeling in art, and this remarkable exhibition is a unique opportunity to step into his world and view in this country some of the riches he left his nation upon his death.”

The exhibition at the Museum – divided into six thematic sections – focuses on the critical role played by watercolors in defining Turner’s deeply personal style.

J .M. W. Turner, "Aldborough, Suffolk," c.1826, Watercolor and gouache on paper. Tate: Bequeathed by Beresford Rimington Heaton 1940 © Tate, London 2018
J .M. W. Turner, “Aldborough, Suffolk,” c.1826, Watercolor and gouache on paper. Tate: Bequeathed by Beresford Rimington Heaton 1940 © Tate, London 2018

The works have been selected from the vast legacy that comprises more than 30,000 works on paper, 300 oil paintings, and 280 sketchbooks, known as the “Turner Bequest,” donated to Great Britain after the artist’s death in 1851 and mostly conserved at Tate Britain. The bequest includes the entire body of works housed in the artist’s personal studio and produced over the years for his “own pleasure,” to cite the words used by the critic John Ruskin.

While Turner is perhaps better known for his oil paintings, he was a lifelong watercolorist and fundamentally shaped what was understood to be possible within the medium during his lifetime and after. An inveterate traveler, Turner rarely left home without a rolled-up, loose-bound sketchbook, pencils, and a small traveling case of watercolors. These memories of journeys, emotions, and fragments of landscapes seen during his long stays abroad illustrate the development of Turner’s stylistic language focused on experimenting with the expressive potential of light and color.

The intimate and personal character of the works on display will also provide an opportunity to explore the man himself, gaining an understanding of how the radical developments in Turner’s style anticipated trends of the late 19th century. From his love of seaside towns to his interest in depicting atmospheric English and Alpine landscapes, and his detailed study of domestic interiors and architectural reliefs, the artist devoted himself tirelessly to experimentation, particularly in watercolors, with a compositional and stylistic freedom and an innovative and surprising use of colors that led his peers to believe that Turner “appeared to paint with his eyes and nose as well as his hand.”

Deemed to be an extraordinary artist ever since his own time, Turner has had a profound and continuing influence on artists that continues to this day.

The exhibition will be accompanied by a major new publication edited by Nicholas Bell, the Museum’s senior vice president for Curatorial Affairs. Titled Conversations with Turner: The Watercolors, the book will bring together scholars of Turner’s art from around the world to engage with each other about the force of his paintings and why they continue to serve as a touchstone for Western culture.

This exhibition is made possible by the generous support of:

Leadership Circle

Alexander and Amanda Bulazel
Charles and Irene Hamm
Ken and Dina Siegel
Chubb, the global insurance company, in honor of Robert G. Stone, Jr.

Patron Circle

Grant and Peggy Cambridge
Cape Branch Foundation

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Mystic Seaport Museum to Host Major Exhibition of J.M.W. Turner Watercolors

J.M.W. Turner, "Venice: San Giorgio Maggiore - Early Morning," 1819, watercolour on paper. Tate: Accepted by the nation as part of the Turner Bequest 1856 © Tate, London 2018
J.M.W. Turner, “Venice: looking Across the Lagoon at Sunset,” 1840, watercolor on paper. Tate: Accepted by the nation as part of the Turner Bequest 1856 © Tate, London 2018

Exclusive Show from Tate, London to Highlight Select Works from Artist’s Personal Collection

Mystic, Conn. (October 16, 2018) – Mystic Seaport Museum, in partnership with Tate, London, will host a major monographic exhibition devoted to the watercolors of one Britain’s greatest painters: J.M.W. Turner (1775-1851). Mystic Seaport Museum will be the only North American venue for J.M.W. Turner: Watercolors from Tate, which will be on display October 5, 2019-February 23, 2020.

The exhibition – curated by David Blayney Brown, Tate’s Manton Senior Curator of British Art 1790-1850 – will provide an exceptional opportunity to see key works spanning the entire career of the famous artist. A unique collection of about 90 works, the selection will provide a view into the evolution of the artist’s vision and creative process.

“Few artists have captured the beauty and majesty of the sea as J.M.W. Turner. Anyone who has sought art that accurately represents their personal experience of the sea has had to contend with the sheer genius of his lifelong look at that subject,” said Steve White, president of Mystic Seaport Museum. “This is not an exhibition of the sea, but Turner represents for so many the most sublime representation of that feeling in art, and this remarkable exhibition is a unique opportunity to step into his world and view in this country some of the riches he left his nation upon his death.”

The exhibition at the Museum – divided into six thematic sections – focuses on the critical role played by watercolors in defining Turner’s deeply personal style.

The works have been selected from the vast legacy that comprises more than 30,000 works on paper, 300 oil paintings, and 280 sketchbooks, known as the “Turner Bequest,” donated to Great Britain after the artist’s death in 1851 and mostly conserved at Tate Britain. The bequest includes the entire body of works housed in the artist’s personal studio and produced over the years for his “own pleasure,” to cite the words used by the critic John Ruskin.

While Turner is perhaps better known for his oil paintings, he was a lifelong watercolorist and fundamentally shaped what was understood to be possible within the medium during his lifetime and after. An inveterate traveler, Turner rarely left home without a rolled-up, loose-bound sketchbook, pencils, and a small traveling case of watercolors. These memories of journeys, emotions, and fragments of landscapes seen during his long stays abroad illustrate the development of Turner’s stylistic language focused on experimenting with the expressive potential of light and color.

The intimate and personal character of the works on display will also provide an opportunity to explore the man himself, gaining an understanding of how the radical developments in Turner’s style anticipated trends of the late 19th century. From his love of seaside towns to his interest in depicting atmospheric English and Alpine landscapes, and his detailed study of domestic interiors and architectural reliefs, the artist devoted himself tirelessly to experimentation, particularly in watercolors, with a compositional and stylistic freedom and an innovative and surprising use of colors that led his peers to believe that Turner “appeared to paint with his eyes and nose as well as his hand.”

Deemed to be an extraordinary artist ever since his own time, Turner has had a profound and continuing influence on artists that continues to this day.

The exhibition will be accompanied by a major new publication edited by Nicholas Bell, the Museum’s senior vice president for Curatorial Affairs. Titled Conversations with Turner: The Watercolors, the book will bring together scholars of Turner’s art from around the world to engage with each other about the force of his paintings and why they continue to serve as a touchstone for Western culture.

This exhibition is made possible by the generous support of:

Leadership Circle

Alexander and Amanda Bulazel
Charles and Irene Hamm
Ken and Dina Siegel
Chubb, the global insurance company, in honor of Robert G. Stone, Jr.

Patron Circle

Grant and Peggy Cambridge
Cape Branch Foundation

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The iconic Thompson Exhibition Building is a state-of-the-art gallery that will host Death in the Ice: The Mystery of the Franklin Expedition, a major exhibition of one of seafaring’s most mysterious tragedies December 1, 2018 through April 28, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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News

Dawn Riley, Oakcliff Sailing Receives America and the Sea Award

Dawn Riley receives the American and the Sea Award from Mystic Seaport Museum in New York City, October 3, 2018. Pictured (left to right): Museum president Steve White, Dawn Riley, Museum board chairman Barclay Collins. Photo credit: Mystic Seaport Museum
Dawn Riley receives the American and the Sea Award from Mystic Seaport Museum in New York City, October 3, 2018. Pictured (left to right): Museum president Steve White, Dawn Riley, Museum board chairman Barclay Collins.

Mystic Seaport Museum honored Dawn Riley and Oakcliff Sailing with its 2018 America and the Sea Award. The prestigious award recognizes those individuals and organizations whose extraordinary achievements in the world of maritime exploration, competition, scholarship, and design best exemplify the American character. The award was presented at a gala fundraiser at the Metropolitan Club in New York City October 3.

Riley stands alone as the first woman to compete in both the America’s Cup and in the Whitbread Round the World Race, two of the pinnacles in the sport of sailing that prior to her had been all but closed to women sailors. Riley also went on to become the first American, male or female, to sail in three America’s Cups and two Whitbread Round the World Races.

“Dawn Riley has blazed the trail for women in sailing over the course of nearly three decades, and has had a tremendous impact on the sport, both as a competitor and as a teacher,” said Steve White, President of Mystic Seaport Museum. “She is in a class by herself, serving as an inspirational role model for young women and all sailors.”

[embedit snippet=”dawn-riley”] 

Riley trains premier-level American sailors for future Olympic, America’s Cup, and other world-class level sailing competitions, and leads a movement to reinvigorate the sport in this country. One nexus of this movement is Oakcliff Sailing in Oyster Bay, N.Y., where she serves as Executive Director. A high-performance training center for sailors who have progressed beyond traditional coaching methods, Oakcliff’s vision is to “Build American Leaders through Sailing.” Riley’s leadership and the quality of the programs she oversees were recognized recently by New York Yacht Club’s American Magic, which is currently preparing a challenge for the 36th America’s Cup. This syndicate partnered with Oakcliff to recruit and train members for their America’s Cup Team.

Riley pursued an impressive racing career on the water punctuated by unprecedented accomplishments such as her role as the watch captain/engineer on Maiden, the first all-women’s team in the 1989-90 Whitbread Round the World Race; pit person for America3, winner of the 1992 America’s Cup and first woman to have an active role on an America’s Cup team; skipper of Heineken, the only all-women’s entry in the 1993-94 Whitbread Race; team captain of America3, the women’s team in the 1995 America’s Cup; 1999 US Sailing’s Rolex Yachtswoman of the Year; America True CEO and Captain in the 2000 America’s Cup; and winning skipper at the 2002 IC45 World Championships.

Past recipients of the America and the Sea Award include philanthropist and environmentalist David Rockefeller, Jr. ; oceanographer and explorer Sylvia Earle; historian David McCullough; legendary yacht designer Olin Stephens; President and CEO of Crowley Maritime Corporation, Thomas Crowley;  philanthropist William Koch; former Secretary of the Navy John Lehman; WoodenBoat Publications founder Jon Wilson; yachtsman and author Gary Jobson; maritime industrialist Charles A. Robertson; author Nathaniel Philbrick; and Rod and Bob Johnstone and their company J/Boats.

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Press Releases

Mystic Seaport Honors Dawn Riley and Oakcliff Sailing with the America and the Sea Award

Dawn Riley receives the American and the Sea Award from Mystic Seaport Museum in New York City, October 3, 2018. Pictured (left to right): Museum president Steve White, Dawn Riley, Museum board chairman Barclay Collins. Photo credit: Mystic Seaport Museum
Dawn Riley receives the American and the Sea Award from Mystic Seaport Museum in New York City, October 3, 2018. Pictured (left to right): Museum president Steve White, Dawn Riley, Museum board chairman Barclay Collins. Photo credit: Mystic Seaport Museum

Mystic, Conn. (October 5, 2018) — Mystic Seaport Museum honored Dawn Riley and Oakcliff Sailing with its 2018 America and the Sea Award. The prestigious award recognizes those individuals and organizations whose extraordinary achievements in the world of maritime exploration, competition, scholarship, and design best exemplify the American character. The award was presented at a gala fundraiser at the Metropolitan Club in New York City October 3.

Riley stands alone as the first woman to compete in both the America’s Cup and in the Whitbread Round the World Race, two of the pinnacles in the sport of sailing that prior to her had been all but closed to women sailors. Riley also went on to become the first American, male or female, to sail in three America’s Cups and two Whitbread Round the World Races.

“Dawn Riley has blazed the trail for women in sailing over the course of nearly three decades, and has had a tremendous impact on the sport, both as a competitor and as a teacher,” said Steve White, President of Mystic Seaport Museum. “She is in a class by herself, serving as an inspirational role model for young women and all sailors.”

Riley trains premier-level American sailors for future Olympic, America’s Cup, and other world-class level sailing competitions, and leads a movement to reinvigorate the sport in this country. One nexus of this movement is Oakcliff Sailing in Oyster Bay, N.Y., where she serves as Executive Director. A high-performance training center for sailors who have progressed beyond traditional coaching methods, Oakcliff’s vision is to “Build American Leaders through Sailing.” Riley’s leadership and the quality of the programs she oversees were recognized recently by New York Yacht Club’s American Magic, which is currently preparing a challenge for the 36th America’s Cup. This syndicate partnered with Oakcliff to recruit and train members for their America’s Cup Team.

Riley pursued an impressive racing career on the water punctuated by unprecedented accomplishments such as her role as the watch captain/engineer on Maiden, the first all-women’s team in the 1989-90 Whitbread Round the World Race; pit person for America3, winner of the 1992 America’s Cup and first woman to have an active role on an America’s Cup team; skipper of Heineken, the only all-women’s entry in the 1993-94 Whitbread Race; team captain of America3, the women’s team in the 1995 America’s Cup; 1999 US Sailing’s Rolex Yachtswoman of the Year; America True CEO and Captain in the 2000 America’s Cup; and winning skipper at the 2002 IC45 World Championships.

Past recipients of the America and the Sea Award include philanthropist and environmentalist David Rockefeller, Jr. ; oceanographer and explorer Sylvia Earle; historian David McCullough; legendary yacht designer Olin Stephens; President and CEO of Crowley Maritime Corporation, Thomas Crowley;  philanthropist William Koch; former Secretary of the Navy John Lehman; WoodenBoat Publications founder Jon Wilson; yachtsman and author Gary Jobson; maritime industrialist Charles A. Robertson; author Nathaniel Philbrick; and Rod and Bob Johnstone and their company J/Boats.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The iconic Thompson Exhibition Building is a state-of-the-art gallery that will host Death in the Ice: The Mystery of the Franklin Expedition, a major exhibition of one of seafaring’s most mysterious tragedies December 1, 2018 through April 28, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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