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Mystic Seaport Museum Announces the Summer of the Morgan

This summer, Mystic Seaport Museum invites visitors to experience the “Summer of the Morgan,” a season-long celebration of America’s maritime heritage centered around the Charles W. Morgan, the last wooden whaleship in the world. The celebration launches Memorial Day Weekend, as the entire campus comes alive with engaging events, special programming, new storytelling on board the ship and across the recreated 19th-century Seaport Village, and activities for all ages to enjoy! 

Preparations began in March with the downrigging of the Morgan before being hauled ashore at the Museum’s Henry B. du Pont Preservation Shipyard for a classic “shave and a haircut.” Re-launching is anticipated to take place on April 28, pending weather and tide. Visitors are invited to witness the vessel’s return to Chubb’s Wharf and watch our skilled shipwrights complete their work.  

By mid-May, the vessel will be back in place on Chubb’s Wharf offering visitors an array of fresh experiences and activities on board the Morgan and throughout the Seaport Village all summer long. Activities include:  

  • a new walking tour that connects the story of the Morgan to the historic Seaport Village, providing visitors the unique opportunity to explore the ship’s hold, normally closed to the public  
  • special on-board activities and new storytelling delivered by our talented interpreters and volunteers 
  • a scavenger hunt and activity handout for kids and families   
  • a “selfie station” photo opportunity with the Morgan as the backdrop for easy sharing across socials 
  • the Morgan’s 184th birthday celebration July 19–20, featuring live music, expert talks, special shows in the Museum’s Treworgy Planetarium, and of course there will be cake!  
  • the annual 24-hour reading of Moby-Dick onboard the Morgan July 31–August 1  
  • and more throughout the summer!  

Memorial Day weekend will also mark the opening of our latest exhibition Monstrous: Whaling and Its Colossal Impact, in the Collins Gallery on May 24. This exhibition will explore whaling and its impact on our region and nation, and will consist almost entirely of artifacts, documents, and photographs from the Mystic Seaport Museum Curatorial and Library Collections. The gallery will pair a monumental mural, aptly titled Or, The Whale, created by artist John Joseph “Jos” Sances. 

With a dynamic lineup of events, exhibitions, and hands-on experiences, there are countless reasons to return again and again. Museum membership offers the best way to enjoy everything the season has to offer—providing unlimited admission all year long. Discover your sea story at Mystic Seaport Museum during the Summer of the Morgan! 

Watch our website and socials for the latest information and event updates over the course of the season. 

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Mystic Seaport Museum Presents “Monstrous: Whaling and Its Colossal Impact”

Mystic, CT. April 14, 2025 Mystic Seaport Museum is pleased to present Monstrous: Whaling and Its Colossal Impact, an exhibition that explores the history, significance, and social impact of the whaling industry. Opening on May 24, 2025, and on view until February 16, 2026, the exhibition will feature seldom seen historic artifacts from the Museum’s vaults including specimens, tools, documents, photographs, and ephemera all in dialogue with contemporary artist Jos Sances’s Or, The Whale, a massive 51-foot scratchboard mural of a sperm whale chronicling the evolution of American industrialization.  

Between the 1820s and 1920s, the demand for whale oil—prized for its non-drying and non-corroding properties in candles, lamps, and the burgeoning machinery of the Industrial Revolution— was immense.  Estimated to have killed over half a million animals in the 19th century, these floating oil factories required crews of men who endured arduous voyages. Each was a one-million-dollar investment in today’s dollars, highlighting the crucial, yet ultimately unsustainable, role of whale oil as the petroleum of its time. 

The perilous reality of the whaling trade is starkly illustrated by the tools of the hunt. From the menacing, oversized harpoons and darting guns to the wickedly sharp cutting-in tools and blubber hooks exceeding three feet in length, these implements represent the life-threatening efforts undertaken to secure precious whale byproducts. The exhibition also highlights moments of innovation, such as the circa 1845 iron harpoons with swiveling heads designed by the African American blacksmith Lewis Temple, an ingenious adaptation created to ensure a secure hold on their massive prey, as violently depicted in the 1835 image Capturing a Sperm Whale. Once caught, the whale’s blubber would be boiled down on the deck of the ship in gigantic trypots like those on view in the exhibition, each of which held around 200 gallons of oil.  

Aside from the immensely valuable oil and blubber, whaling crews created artistic and cultural consumer goods to offset the grueling boredom while at sea. Monstrous will show a wide range of scrimshaw engravings on whale bones or teeth, baleen dress stays, knitting needles, and a small flask of ambergris, the waxy substance from whale intestines prized for its use in perfumes.  

Monstrous connects historical artifacts with a contemporary perspective by showcasing Jos Sances’s monumental scratchboard Or, The Whale, a nearly life-sized mural of a sperm whale. This piece memorializes the many social and political challenges Americans faced during the country’s industrialization, drawing parallels between the exploitative practices of the whaling era and the ongoing societal issues examined in the exhibition. 

The human stories of life on a commercial whale ship or whaler are told by the Mystic Seaport Museum documentation and ephemera. While primarily male, whaling crews occasionally included women, who joined the voyages as wives and mothers, but sometimes played the roles of navigators, correspondents, nurses, managers, and log keepers. The last woman to sail on the Charles W. Morgan during its whaling career, Charlotte (Lottie) Church, kept a ship’s log as her role as assistant navigator. Historic photographs on-view in Monstrous also reveal the multicultural makeup of whaling crews. As whaling expeditions lasted years and traveled globally, they would amass crew members in foreign ports. Whaling was also a job for both free and formerly enslaved Black men: Monstrous includes the Museum’s stately portrait of Antoine DeSant, an accomplished Cape Verdean whaler who settled in New London in 1860. 

By bringing together historical remnants of the whaling era with the contemporary artistic interpretation, Monstrous creates a vital dialogue across time. This exhibition encourages reflection on the complex relationship between human ambition, resource exploitation, and societal change, offering valuable insights for contemporary audiences at a time when we once again examine our sources of energy. 

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Mystic Seaport Museum Named #2 Best Open-Air Museum by USA Today’s 10Best Readers’ Choice Award for Second Year!

Mystic, Conn. (February 19, 2025) – Mystic Seaport Museum proudly announces its second-place position in the Best Open-Air Museum category of the 2025 USA TODAY 10Best Readers’ Choice awards out of twenty exceptional open-air museums featured in the competition. The top ten winners were officially announced on Wednesday, February 19. 

“This acknowledgment of Mystic Seaport Museum by an expert panel and the public for the second year in a row reinforces our position as a top destination for cultural enrichment and maritime exploration,” says Museum President and CEO, Peter Armstrong.

These nominations were carefully curated by a panel of subject matter experts and USA TODAY 10Best editors before being voted on by the public. Votes were cast in each category over a four-week period starting in January on the 10Best.com website. A sincere thank you to USA TODAY, 10Best, and all the contributors for including the Museum in this year’s nomination. 

Mystic Seaport Museum extends its heartfelt gratitude to all those who voted in support of the Museum as we continue our commitment to inspire our visitors and supporters to find their personal connections to the sea through immersive experiences, exhibitions, and opportunities. Congratulations to all the open-air museums, including 1st place winner, our friends and colleagues at Plimoth Patuxet Museums. 

Visit https://10best.usatoday.com/awards/ to see the complete list of winners and their ranking.  

Learn more about USA TODAY 10Best Readers’ Choice Awards here. 

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Wintertide

Wintertide Returns Presidents’ Day Weekend at Mystic Seaport Museum: Three Days of Frosty Festivities the Entire Family Can Enjoy 

Mystic, Conn. (January 15, 2025) – Mystic Seaport Museum is turning the tide on winter doldrums and adding a festive spirit to the season with the return of Wintertide February 15–17. The whole family will enjoy the winter whimsy and frosty festivities during this three-day celebration of the great outdoors in picturesque New England. 

Wintertide at the Museum offers countless ways for visitors of all ages to create lasting memories: 

  • Meet Animals: Get up close with winter working dogs (Saturday and Sunday), horses (Monday), and reindeer (all three days). 
  • Ice Sculpture Demonstrations: Watch Art in Ice create lawn games from ice and then play them! 
  • Activities the Entire Family Will Enjoy: Partake in games and crafts; kids can enjoy a snowman bounce house, kid-friendly live improv theater, and a model train show. 
  • Educational Talks: Learn about the history of the toggle iron harpoon, Indigenous whalers, Arctic whalers, and tales of the Mystic ice trade. 
  • Black History Month Art Activity: Create a small clay canoe and paint meaningful symbols on it. Visit the dugout canoe on display in Entwined: Freedom, Sovereignty, and the Sea for inspiration.  
  • Planetarium Shows: Experience a show in the Treworgy Planetarium. 
  • Cozy Up: Warm up with hot cocoa or relax by a crackling fire. 
  • Sensory-Friendly Hour: On Monday from 9:00 to 10:00 a.m. people on the Autism spectrum or with sensory-processing challenges and their families/caregivers are invited to enjoy the quiet Museum, see horses, play lawn games, make crafts, and listen to a story. Pre-registration is required. 

Propeller Café and Schaefer’s Spouter Tavern will be serving up a variety of food and beverage options to complement the frosty theme, including hot cocoa and s’mores kits. 

Most activities are included with general admission and this event is free for Museum Members. Tickets purchased online for Wintertide are valid for all three days of the event.  

Learn more, see the full event lineup, and purchase tickets here. 

Event Details 

Dates: Presidents’ Day Weekend, February 15–17 

Time: 10:00 a.m.–4:00 p.m. 

Tickets: 

$25 Adult; $18 Youth (ages 4–12); children 3 and under FREE 

Tickets are good for all 3 days of the event. 

Members: Free (membership details available on our website) 

This experience takes place at the north end of the Museum while the south end is closed for the season; please enter through the Thompson Exhibition Building. 

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Adventure Series returns to Mystic Seaport Museum in 2025: This year’s focus is Olympic Horizons

Mystic, Conn. (January 7, 2025)Mystic Seaport Museum continues its Adventure Series, a captivating lecture series that has been inspiring audiences since 1946. The 2025 Adventure Series: Olympic Horizons features four engaging sessions that explore the connection between Olympic achievement and the broader world of adventure. Olympic athletes Dan Walsh and Maggie Shea will share their personal stories of perseverance and triumph, while Pieter Roos, Curator at Mystic Seaport Museum, will present fascinating tales from the Museum’s diverse collection, which span maritime history, exploration, and innovation. Each session promises to unlock new horizons, offering expert insights and inspiring stories that will captivate history and adventure enthusiasts alike. 

To learn more and purchase tickets, visit the Museum website here. 

Lecture Details 

Dates and times:  

January 16, 1:30 and 7:00 p.m., Pushing the Limits: Dan Walsh’s Olympic Journey from Norwalk to Beijing 

February 20, 1:30 p.m., Sailing Through Stories: Pieter Roos Brings Mystic Seaport Museum Collections to Life 

March 20, 7:00 p.m., Sailing Through Stories: Pieter Roos Brings Mystic Seaport Museum Collections to Life 

April 17, 1:30 and 7:00 p.m., Chasing Gold: Maggie Shea’s Olympic Path to the Tokyo and Paris Olympics 

Tickets: 

Members $20 | Non-members $25 

Location:  

StoneRidge, 186 Jerry Browne Rd, Mystic, Connecticut, 06355 

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MYSTIC SEAPORT MUSEUM ANNOUNCES THE AMERICAN INSTITUTE FOR MARITIME STUDIES (AIMS)

Photo, Left to right: Debra Schmidt Bach, PhD; Leah Prescott, MLS; Michael P. Dyer, MA; Akeia de Barros Gomes, PhD; Elysa Engelman, PhD

MYSTIC SEAPORT MUSEUM ANNOUNCES THE AMERICAN INSTITUTE FOR MARITIME STUDIES
LED BY AKEIA DE BARROS GOMES, PhD, THE WILLIAM E. COOK VICE PRESIDENT FOR MARITIME STUDIES; INITIATIVE UNITES MUSEUM’S RENOWNED HIGHER EDUCATION PROGRAMS 

Museum Appoints Leah Prescott, MLS, as Senior Administrator of Library Resources, Debra Schmidt Bach, PhD, as Director of Exhibitions, Elysa Engelman, PhD, as Director of Research and Scholarship, and Michael P. Dyer, MA, as Curator of Maritime History 

Mystic, CT. [September 25, 2024]Mystic Seaport Museum announces the launch of the American Institute for Maritime Studies (AIMS), an initiative that consolidates the Museum’s scholarship in maritime studies and elevates its role as the nation’s leading maritime research facility and academic institute. AIMS will strengthen the Museum’s graduate and undergraduate programs, including fellowships and internships through the newly created Department of Research and Scholarship. In addition to being the nation’s premier location for maritime scholarships, there will be a particular emphasis on making collections (both objects and manuscripts) more publicly accessible for researchers and the general public. AIMS will engage with institutions of higher education, including the Ruth J. Simmons Center for the Study of Slavery and Justice at Brown University, Williams College, and the University of Connecticut.  

The Museum has appointed Dr. Akeia de Barros Gomes as the William E. Cook Vice President for Maritime Studies at AIMS. De Barros Gomes joined the Museum in 2021 as Senior Curator of Maritime Studies. The Museum has also named Leah Prescott, MLS, as Senior Administrator of Library Resources at AIMS, Dr. Debra Schmidt Bach as Director of Exhibitions at the Museum, Dr. Elysa Engelman as Director of Research and Scholarship, and Michael P. Dyer, MA, Curator of Maritime History and Instructor, Frank C. Munson Institute of Maritime History. 

“I am thrilled to lead the American Institute for Maritime Studies as we embark on this important new chapter for the Museum,” says Dr. de Barros Gomes of her new role. “AIMS represents a significant step forward in the Museum’s mission to enhance the scholarship around maritime histories and to tell stories that have been passed from generation to generation.” 

AIMS will build upon ongoing research opportunities at the Museum, including fellowships, internships, and visiting scholars, by creating additional opportunities for community engagement and academic initiatives, including publications. Earlier this year Mainsheet: A Journal of Multidisciplinary Maritime Studies debuted. This biannual publication, available both online and in print, sets itself apart with its multidisciplinary approach, global themes and accessibility, and innovative design and distribution. Mainsheet offers a unique platform for scholars worldwide to explore maritime issues spanning the past, present, and future. AIMS scholars and staff will broaden their research through robust connections with national and international universities and museums, and will explore topics related to maritime cultural connections, maritime art, and social and economic issues through a contemporary lens. 

As the William E. Cook Vice President for Maritime Studies, Dr. de Barros Gomes will be responsible for bringing strategic vision and thought leadership to the Institute. She will oversee professionals dedicated to advancing the Museum’s academic presence in maritime studies and share those findings and stories with local and broader Museum visitors through exhibitions and programming. AIMS will also continue Dr. de Barros Gomes’s outreach to local communities to engage with oral histories. Previously as the Museum’s Senior Curator of Maritime Studies, Dr. de Barros Gomes was lead curator of the exhibition Entwined: Freedom, Sovereignty, and the Sea, on view at the Museum through April 2026. She is also the co-Director of the Museum’s Frank C. Munson Institute of American Maritime Studies along with Michael P. Dyer. Before joining Mystic Seaport Museum, she was Curator of Social History at the New Bedford Whaling Museum. She received a PhD and MA in Anthropology with a focus in Archeology from the University of Connecticut in 2008. 

Leah Prescott, MLS, has been appointed the new Senior Administrator of Library Resources. Prescott was previously the Associate Director for Collections and Co-Interim Director at the Harvard Law School Library and served as Associate Director for Digital Initiatives and Special Collections at Georgetown Law Center. Previously at Mystic Seaport Museum, she held several positions over two decades, including Manuscripts and Archives Librarian, Collections Information Technology Coordinator, Information Technologies Librarian, Manuscripts Assistant, and Museum Interpreter. Prescott holds a Master of Library Science and Information Studies from Syracuse University and a BA in American History from the University of Connecticut. She has been a Certified Archivist since 2005 and actively participates in the National Digital Stewardship Alliance, where she co-chaired the Infrastructure Interest Group from 2020 to 2022. 

Debra Schmidt Bach, PhD, has been appointed as the new Director of Exhibitions. Bach was previously the Curator of Decorative Arts and Special Exhibitions at the New-York Historical Society, where she curated and collaborated on numerous popular culture and social history exhibitions, including The Art of Winold Reiss: An Immigrant Modernist; Beyond Midnight: Paul Revere; and First Jewish Americans: Freedom and Culture in the New World. Bach lectures widely, has written numerous essays, articles, and blogs, and has contributed to exhibition catalogs and popular culture anthologies, including “Of Great Renown: The History of Rheingold Beer,” in The New York Mets in Popular Culture (McFarland & Co., 2020). Bach received an MA in American Studies from Columbia University and a PhD with a focus on material culture and design history from the Bard Graduate Center in 2015. 

Michael P. Dyer, MA, has been appointed the new Curator of Maritime History. Dyer was most recently Curator of Maritime History at the New Bedford Whaling Museum, where he curated several exhibits including most recently the exhibition All Hands: Yankee Whaling and the U.S. Navy (2023–24). He was an editor of Vistas: A Journal of Art, History, Science, and Culture, published by the New Bedford Whaling Museum, and is author of several monographs including “O’er the Wide and Tractless Sea”: Original Art of the Yankee Whale Hunt (New Bedford, 2017), and was previously an instructor in Maritime History at the Northeast Maritime Institute at Fairhaven, Massachusetts. Dyer was also a USA Gallery Inaugural Fellow at the Australian National Maritime Museum in 2008, and a 38th Voyager onboard the bark Charles W. Morgan of Mystic, Connecticut, in the summer of 2014. 

Elysa Engelman, PhD, has been appointed the AIMS Director of Research and Scholarship. This new position entails working with the curatorial team to produce scholarly output; organizing academic lectures, symposia, and conferences; developing scholarly publications; and managing AIMS-centered internships and fellowships. Engelman was previously Exhibits Researcher/Developer at Mystic Seaport Museum and then Director of Exhibits. She has a doctorate from Boston University in American and New England Studies and a BA from Yale University in English and Theater Studies. Engelman has taught courses in Women’s Studies, Public History, and the Historian as Detective at the University of Connecticut at Avery Point and written on wide-ranging topics including the maritime Underground Railroad, Route 66, Lydia E. Pinkham, and the threat of sea-level rise to maritime museums. 

About Mystic Seaport Museum  

Mystic Seaport Museum is the nation’s leading maritime museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.” The Museum’s grounds cover 19 acres on the Mystic River and include a re-created New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art collection storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship Charles W. Morgan.  

For more information, please visit mysticseaport.org and follow the Museum on FacebookXYouTube, and Instagram.  

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NOAA weather forecasters, oceanographers, navigators, fisheries scientists and explorers to showcase ocean careers for youth at Mystic Seaport Museum and Project Oceanology

Mystic Seaport Museum and Project Oceanology are pleased to announce that a diverse team of experts from across the National Oceanic and Atmospheric Administration (NOAA) will visit two of their youth programs this week for hands on talks with a goal of sparking interest in NOAA and related ocean careers.  

On Wednesday, July 31, the NOAA team will visit Mystic Seaport Museum to meet with high school students who are taking part in a summer youth employment component of the Museum’s Maritime Adventure Program,  which engages under-resourced high school youth in experiential maritime education anchored in positive youth development to help them enhance their social, emotional, and leadership skills. On Thursday, August 1, NOAA experts will visit with summer day campers in grades 4-6 and high school residential campers at Project Oceanology, a nonprofit education and research facility based in Groton, Connecticut. 

Among the experts will be NOAA weather forecasters, deep ocean explorers, aquaculture and fisheries scientists, whale acoustic specialists, navigators, a NOAA Corps officer, a professional mariner recruiter with NOAA’s Office of Marine and Aviation Operations and representatives from the NOAA Ocean Exploration Cooperative Institute at the University of Rhode Island. The experts will discuss their career paths while also learning about the students’ maritime projects. NOAA will bring a navigation response vessel to Mystic Seaport Museum and to Project Oceanology for students to tour. This initiative follows an earlier visit to Mystic Seaport Museum by NOAA Administrator Rick Spinrad, Ph.D., and is part of ongoing efforts to enhance educational opportunities for youth in the region. 

“We are excited to bring a diverse team of NOAA scientists to Mystic Seaport Museum and Project Oceanology to meet with students from southeastern Connecticut,” said Nicole Bartlett, NOAA’s regional coordinator for the North Atlantic Regional Collaboration Team. “The more we can work with young people from diverse backgrounds the more likely we are to create a stronger talent pipeline to the National Oceanic and Atmospheric Administration, our nation’s source of weather, climate, ocean, coastal and fisheries data and services.” 

“Welcoming the team from NOAA to Mystic Seaport Museum to provide our students with this unique opportunity to engage directly with experts in ocean sciences and maritime careers is exciting and we’re thrilled to welcome their team to the Museum,” said Sarah Cahill, Director of Education at Mystic Seaport Museum. “This collaboration not only enriches our Maritime Adventure Program, but we hope this experience will spark a lifelong interest in these vital areas and open doors to future opportunities in NOAA and related fields.” 

Callie Scheetz, Director of Curriculum and Instruction, Project Oceanology adds, “We’re thrilled to have a talented and diverse group of NOAA staff to share their firsthand work experiences with our summer campers. By integrating NOAA expertise into Project Oceanology’s hands-on camp experiences, we empower our campers to envision and pursue career possibilities in STEM.” 

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Mystic Seaport Museum is a founding partner of the Connecticut Blue Economy Coalition

Mystic Seaport Museum is thrilled to announce the successful hosting of the official launch event for the Connecticut Blue Economy Coalition. As a founding partner and the largest American maritime museum, Mystic Seaport Museum is committed to fostering a sustainable economic future in maritime industries across Connecticut through the advancement of the blue economy. 

The event, made possible by the generous support of sponsors OceanX, AdvanceCT, and seCTer, saw significant participation from esteemed guests, including Senator Heather Somers, Senator Catherine Osten, Representative Holly Cheeseman, Representative Aundre Baumgardner, and Selectwoman Deborah Motycka Downie. Their presence and support underscore the importance of this initiative. 

The highlight of the event was the celebratory signing of the Memorandum of Understanding, which outlines the coalition’s goals and strategic initiatives. This marks the first step in leveraging our networks and resources to promote Connecticut’s burgeoning blue economy. Representatives from each participating organization delivered flash talks, detailing their missions and the significance of the coalition. 

The coalition’s members include: AdvanceCT, ClimateHaven, GreenWave, Mystic Seaport Museum, OceanX, Project Oceanology, seCTer, Thayer Mahan Inc., and UConn Avery Point.

Mystic Seaport Museum Board of Trustees Vice-Chairman Rich Clary emphasized the initiative’s importance for both the Museum and the state. The event concluded with a memorable boat ride on the historic steamboat, Sabino, recently upgraded with a diesel-electric engine. This allows the vessel to operate under electric power, achieving a 95% reduction in carbon emissions—exemplifying the Museum’s commitment to a sustainable ocean economy. 

The mission of the Connecticut Blue Economy Coalition is to be the nexus for the Blue Economy in the State of Connecticut. As a networking and convening coalition of partners, we will bring stakeholders together to best determine strategies for supporting the growth and stability of the blue economy through education, acceleration, advocacy, and communication. Each organization brings its own set of strengths, infrastructure, networking opportunities, and skill sets to the coalition. As a collaboration, we will leverage our combined strengths to accelerate and empower a sustainable future for blue economic growth in Connecticut. 

 

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Wells Boat Hall

MYSTIC SEAPORT MUSEUM ANNOUNCES WELLS BOAT HALL, A $15 MILLION INITIATIVE TO CREATE A HOME FOR ITS ICONIC AMERICAN WATERCRAFT COLLECTION 

New Wells Boat Hall to Be Unveiled in 2025, Pieter Nicholson Roos Appointed Curator, Generous Support Provided By Stan and Nancy Wells 

Mystic, CT. [June 28, 2024]Mystic Seaport Museum is pleased to announce the establishment of the Wells Boat Hall to exhibit the American Watercraft Collection, an estimated $15 million renovation to convert a section of the historic Rossie Mill—currently used as a storage facility—into a dynamic, publicly accessible, exhibition hall highlighting the Museum’s collection of historic small boats. The exhibition, curated by longtime cultural institutional leader Pieter Nicholson Roos, will capture the progression of American nautical innovation, showcasing the unique social history of each vessel and revealing the scope of the extensive collection to the public for the first time.   

“We are delighted to bring the American Watercraft Collection out of storage and into the public eye for our visitors and supporters,” says Peter Armstrong, President and CEO of Mystic Seaport Museum. “This renovation not only increases the size of our accessible campus but also allows us to unravel the stories that lie within these amazing vessels.” 

The Wells Boat Hall will exhibit over 100 vessels, seldom seen by the public in the last 40 years. Estimated to be the largest and the most diverse small craft and engine collection in the world, the exhibition will feature the first vessel acquired by the Museum, Annie, a 1931 sandbagger, and will span 182 years from an indigenous dugout canoe to a modern-day Mini Transat racer. The public will be invited to engage in the stories of vessels in the collection from labor to leisure, from adventure to commerce, and beyond. Stories will include the Analuisa, a fishing boat used by Cuban refugees to escape to Florida in the summer of 1994, and Tango, the first boat pedaled across the Atlantic and holding the record as the fastest human-powered transatlantic crossing, completed in 40 days, pedaled by Connecticut resident Dwight Collins. 

Located on the corner of Rossie Pentway and Greenmanville Avenue, and directly opposite the Museum’s Thompson Exhibition Building, the Wells Boat Hall will be housed in the historic Rossie Mill, built in 1898 as a velvet factory and once the largest employer in Mystic. The 35,000 square-foot warehouse will be renovated to include a new and ADA-compliant visitor entrance with a columned canopy, a new roof reflecting design typical of New England mill towers, and a fully integrated exhibition space. The renovation will allow the Museum to care for and exhibit the watercraft and related artifacts in an environment that showcases their importance and maintains their legacy while maintaining this historic building. The Wells Boat Hall will also double as a flexible community space for lectures and presentations, as well as new educational programs initiated by the American Institute of Maritime Studies at Mystic Seaport Museum.   

Pieter Nicholson Roos has been appointed the Wells Boat Hall Exhibition Curator and will curate the exhibit. Roos, the former director of the Mark Twain House and Museum and a strategic advisor on climate change, will provide his decades of experience in preservation and maritime expertise. 

“It’s with great excitement that I join Mystic Seaport Museum in unveiling its cherished collection to the public after years in storage,” shared Roos. “With the launch of the Wells Boat Hall, we will allow visitors to embark on a journey through time, finding their own connections to the array of stories on view and ensuring that these historic boats are preserved and remain in our contemporary consciousness.” 

The American Watercraft Collection will be housed in the Wells Boat Hall, named after local residents and longtime Museum Trustee Stan Wells and his wife Nancy Wells. It is scheduled to open to the public in the fall of 2025.

About Mystic Seaport Museum   

Mystic Seaport Museum is the nation’s leading maritime Museum. Founded in 1929 to gather and preserve the rapidly disappearing artifacts of America’s seafaring past, the Museum has grown to become a national center for research and education with the mission to “inspire an enduring connection to the American maritime experience.” The Museum’s grounds cover 19 acres on the Mystic River in Mystic, Connecticut, and include a recreated New England coastal village, a working shipyard, formal exhibit halls, and state-of-the-art artifact storage facilities. The Museum is home to more than 500 historic watercraft, including four National Historic Landmark vessels, most notably the 1841 whaleship CHARLES W. MORGAN. For more information, please visit mysticseaport.org and follow the Museum on Facebook, X, YouTube, and Instagram.  

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Media Contacts:   

For images, further background or interviews, please contact:  

Katrina Stewart  

Senior Account Coordinator, Visual Arts  

Blue Medium  

T: +1-212-675-1800  

katrina@bluemedium.com   

  

Sophia Matsas  

Vice President of Marketing & Communications
Mystic Seaport Museum
T: +1-860-572-5317  

sophia.matsas@mysticseaport.org  

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Mystic Seaport Museum Announces Debut of Mainsheet Publication

Mystic Seaport Museum proudly announces the debut of Mainsheet: A Journal of Multidisciplinary Maritime Studies, a groundbreaking journal that fills a field gap in peer-reviewed scholarship that has been left by the dissolution of the American Neptune and other similar journals over the last twenty years. This biannual publication, available both online and in print, sets itself apart with its multidisciplinary approach, global themes and accessibility, and innovative design and distribution. Mainsheet offers a unique platform for scholars worldwide to explore maritime issues spanning the past, present, and future. With a commitment to inclusivity and diversity, the journal welcomes perspectives from various disciplines, ensuring a rich and comprehensive dialogue on maritime topics. 

While Mainsheet maintains a global focus, each issue is tied with annual institutional initiative themes at Mystic Seaport Museum that drive exhibitions, programming, symposia, lecture series, and the Frank C. Munson Institute for American Maritime History. The first issue highlights maritime social history to align with the Museum’s new exhibition Entwined: Freedom, Sovereignty, and the Sea. Highlights of the first issue include five peer-reviewed scholarly papers from leading scholars; an inaugural letter from Editor in Chief Christina Connett Brophy; a perspectives essay by guest editor Akeia de Barros Gomes; a photo essay capturing the experiences of workers aboard cargo ships during and after the COVID-19 crisis; features on boat preservation in Brazil, African miniature canoes, and a Viking ship model from the Museum’s collection; and poetry, book reviews, and listings for upcoming Museum exhibits and academic events. 

“Maritime studies are the key to our shared experience. It is impossible to consider our cultural, scientific, economic, social, or even physiological development without consideration of the sea above and below the surface. It is also impossible to understand where we are and where we are going without understanding where we have been. We hope to elevate and broaden deeper insight into how maritime studies, past, present, and future are an essential part of global heritage.” –Christina Connett Brophy, PhD, Mainsheet Editor in Chief, Senior Vice President, Mystic Seaport Museum. 

The editorial board represents a national and international team of invited expert scholars from various fields and partner institutions, with guest editors for themed editions. Scholarship from the print journal is simultaneously posted free and open access on the journal website, reflecting the Museum’s commitment to making scholarship available at no cost to researchers. Paid subscriptions to the print issue support this commitment. The print journal is full-color, perfect-bound, and designed to be a beautiful library addition. 

To purchase, subscribe, or access the journal website visit https://mysticseaport.org/mainsheet/. 

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