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Mystic Seaport Museum, Organized in Cooperation with Tate, Presents the Most Comprehensive Exhibition Ever in U.S, U.S. of Watercolors by J.M.W. Turner

"Venice: Looking across the Lagoon at Sunset," 1840, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019

“Venice: Looking across the Lagoon at Sunset,” 1840, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019

Press Preview October 3, 2-4 p.m.
Thompson Exhibition Building, Mystic Seaport Museum
103 Greenmanville Ave.
Mystic, CT, 06355

Mystic, Conn. (October 1, 2019) — Mystic Seaport Museum presents J.M.W. Turner: Watercolors from Tate, a major exhibition organized in cooperation with Tate, from October 5, 2019, to February 23, 2020. The show is drawn from the renowned Turner Bequest of 1856, the vast legacy of art donated to Great Britain by J.M.W. Turner (1775-1851), which resides today at Tate. Mystic Seaport Museum is the only North American venue for the exhibition.

The exhibition spans the entirety of Turner’s long career and, by focusing on the artist’s watercolors, provides insight into the private visionary behind the public figure. The viewer will see Turner’s watercolor practice evolve from aide to memory to a way of thinking with his brush–“for his own pleasure,” to borrow a phrase from a contemporary admirer, the critic John Ruskin.

“Joseph Mallord William Turner is one of the great artists of the Western Canon,” notes Stephen C. White, president, Mystic Seaport Museum, the preeminent maritime museum in the United States. “In building our new exhibition center, the Thompson Building, which opened in 2016, we prepared for loans of this caliber. Now we are thrilled to be able to bring Turner’s watercolors here for visitors throughout the region and country.”

Tate rations display of Turner’s watercolors, given the fugitive quality of the medium. But Tate balances conservation considerations with the mission to serve new audiences. “We are exceptionally pleased to send this intimate and powerful selection of works to Mystic Seaport Museum – the result of an ambitious and rewarding collaboration between the two organizations,” says Dr. Maria Balshaw, CBE Director, Tate.

"Shields Lighthouse," c. 1823-26, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019
“Shields Lighthouse,” c. 1823-26, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019

Watercolors from Tate brings together 92 watercolors, four oil paintings and one of the artist’s last sketchbooks. “Not one of these watercolors or the sketchbook would have survived had Turner had anything to do with it,” notes exhibition curator David Blayney Brown, Tate’s Manton Senior Curator of British Art 1790-1850. Before his death, Turner sought to cement his place in history by bequeathing the contents of his studio to the British nation. He envisioned that the finished oil pictures would hang in rotation in a Turner Gallery inside the National Gallery at Trafalgar Square. But that dream never came to pass and, in 1856, the Chancery Court overruled the artist’s wishes, saving the entire contents of the studio, including more than 30,000 watercolors and sketches stashed haphazardly in cupboards, crammed in drawers, and rolled between canvases.

Nicholas Bell, senior vice president for Curatorial Affairs, Mystic Seaport Museum, says, “Watercolor has always been central to Turner’s art and its inspiration to others. Perhaps surprisingly for a North American audience, which has always had greater access to his oils, the watercolors have long competed in Britain with their weightier oil counterparts for museum-goers’ affections. What’s so marvelous about this gathering of loan works is that its very size makes it possible to follow Turner’s career trajectory in all its complexity.”

“Here we see not the public Turner, whose large oil paintings hung prominently in the Royal Academy, but the private artist who continually tested compositions, color, and tactile effect,” says David Blayney Brown.

"Arundel Castle, on the River Arun," 1824, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019
“Arundel Castle, on the River Arun,” 1824, J .M. W. Turner (1775–1851) Tate: Accepted by the nation as part of the Turner Bequest 1856 ©Tate 2019

Watercolors from Tate brings together luminous landscapes and atmospheric seascapes, architectural and topographical sketches, travel drawings, and even a number of intimate interior views. Some watercolors were completed in the studio; others, sketched en plein air. A number appear to have been dashed off on tiny slips of paper; others are finished works, conceived for display, incorporating ink, pencil and gouache. The earliest work on view is a romantic scene of a gorge painted in 1791 when Turner was 17 years old; the latest, painted 55 years later and exhibited at the Royal Academy five years before the artist’s death, is Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavoring to Extricate Themselves (1846).

The exhibition is organized into seven sections: “From Architecture to Landscape: Early Work,” “Nature and the Ideal: England c. 1805-15,” “Home and Abroad: 1815-30,” “Light and Color,” “The Annual Tourist: 1830-40,” and “Master and Magician: Late Work.”

The final section, “Turner and the Sea,” was curated especially for Mystic Seaport Museum. It is a selection of 17 watercolors, oils, and a sketchbook of scenes of the sea–shipwrecks, a beached boat, coastal views, and purely atmospheric images. Highlights include a graphite and watercolor drawing evoking with stark economy a vessel or whale stranded on a mountainous coast and Stormy Sea with Dolphins (c.1835-4), a major painting that last traveled to the U.S. in 1966 as part of a notable monographic exhibition at the Museum of Modern Art.

Press Preview

Members of the media will have an opportunity to meet and have a private tour of the exhibition with its curator, the internationally renowned Turner scholar David Blayney Brown, Manton Senior Curator of British Art 1790 to 1850 at Tate on October 3, 2-4 p.m.

For further information, contact Dan McFadden, Director of Communications, Mystic Seaport Museum, at 860-572-5317 or dan.mcfadden@https://mysticseaport.wpengine.com/.

Publication

Conversations with Turner: The Watercolors, edited by Nicholas R. Bell, accompanies Watercolors from Tate.
The book’s format is inspired by this introduction of Britain’s seminal visual artist to new audiences. Following an introductory essay on Turner’s lifelong pursuit of excellence in watercolor by David Blayney Brown, an international cadre of established and rising scholars and artists meet in dialogue in a series of thematic “conversations” in print.

Addressing such areas as the evolution of Turner’s art in watercolor, evidence of rapid changes to England’s industry and culture in the early 19th century, his treatment of time and memory, and the question of how his works influence contemporary artists working today, these conversations are intended to offer the reader accessible entry points into the medium central to Turner’s development as an artist.

The book is co-published by Mystic Seaport Museum and Skira Editore.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that will feature J.M.W. Turner: Watercolors from Tate, the most comprehensive exhibition of Turner watercolors ever displayed in the U.S. opening October 5, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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Press Releases

Mystic Seaport Museum Announces Search for New Head of Curatorial Affairs

Mystic, Conn. (August 28, 2019) — Mystic Seaport Museum announces it is initiating a search for a new senior vice president for Curatorial Affairs to replace Nicholas Bell, who is leaving the Museum to become President and CEO of the Glenbow Museum in Calgary, Alberta.

“We are grateful for Nicholas’s vision and leadership and his profound contribution to the Museum,” said Steve White, president of Mystic Seaport Museum. “While we are disappointed to see him go, we are excited for the professional and personal opportunity it affords him and his family as he is returning to his native Canada. He leaves an impressive legacy, and the state of our exhibition program has never been stronger.  I am thrilled to announce he will continue to serve on the Museum’s Exhibition Committee.

Bell’s arrival coincided with the opening of the Museum’s new Thompson Exhibition Building in 2016. Using the building’s 5,000 square-foot Collins Gallery as an anchor venue, Bell directed an ambitious and diverse series of exhibitions, including:

  • The international debut of The Vikings Begin: Treasures from Uppsala University, Sweden, an exhibition of some of the earliest Viking artifacts ever unearthed.
  • Science Myth and Mystery, the Vinland Map Saga, the first public display of the controversial map outside of Yale University in more than 50 years.
  • Death in the Ice: The Mystery of the Franklin Expedition, an examination of the fate of the ships and crew of a tragic attempt to traverse the Arctic’s Northwest Passage in the 1840s, featuring artifacts recovered from the recently discovered shipwrecks.
  • Murmur: Arctic Realities, the international debut of a major installation by contemporary artist, John Grade, examining the changing arctic through sculpture and augmented reality.
  • Monument Man: The Art of Kevin Sampson, the museum’s first artist-in-residence.

The Museum will open J.M.W. Turner: Watercolors from Tate, Saturday, October 5. The exhibition on loan from Tate, London, features 97 works by the iconic British artist from throughout his career. Mystic Seaport Museum is the only North American venue for the show, which is the largest collection of Turner watercolors ever to be displayed in the US.

The Museum recently joined the Global Curatorial Project on the history and legacy of African slavery, an international consortium led by the Smithsonian’s National Museum of African American History and Culture and Brown University’s Center for the Study of Slavery and Justice, that will collaborate on exhibitions and programming in the coming years.

The Museum has received unprecedented support in recent years for it exhibition and curatorial work. For example, the Henry Luce Foundation awarded a $735,000 grant to support the curation and development of new collections installations and related programming. The three projects provide new perspectives on the Museum’s collections while also promoting public access. The first of the projects, Mary Mattingly’s Open Ocean, is now on display in the Museum’s R.J. Schaefer Building.

The Museum was also the recipient of $736,167 in Save America’s Treasures grants to support the restoration of the L.A. Dunton fishing schooner and preservation work for the Rosenfeld Collection of Maritime Photography. The grants from the National Park Service are implemented in partnership with the Institute of Museum and Library Services, the National Endowment for the Humanities, and the National Endowment for the Arts.

The Museum is initiating a nationwide search for a new senior vice president for Curatorial Affairs.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that will feature J.M.W. Turner: Watercolors from Tate, the most comprehensive exhibition of Turner watercolors ever displayed in the U.S. opening October 5, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

 

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News

BRILLIANT wins at Eggemoggin

Schooner BRILLIANT sailing to a best-in-class finish at the Eggemoggin Reach Regatta in 2019. (Photo by Maggie White)
Schooner BRILLIANT sailing to a best-in-class finish at the Eggemoggin Reach Regatta in 2019. (Photo by Maggie White)

There are two things we can say about our schooner Brilliant: the boat is fast and the boat is beautiful. This past weekend, at the annual Eggemoggin Reach Regatta in Maine, Brilliant proved once again the truth to those statements.

Captain Dan McKenzie and his crew brought Brilliant across the line for first place in her class (schooner and gaff). The Eggemoggin Reach Regatta is the premier classic yacht race on the East Coast. There were reportedly 113 vessels in Saturday’s race.

The 2019 Most Photogenic Boat Award from The Calendar of Wooden Boats.
The 2019 Most Photogenic Boat Award from The Calendar of Wooden Boats.

Brilliant also brought home the trophy for Most Photogenic Boat as judged by the Calendar of Wooden Boats®.

The schooner is the work of legendary naval architect Olin Stephens II, whose ability to combine speed and beauty in his designs is renowned. Brilliant was built in 1932 at the yard of Henry B. Nevins at City Island, NY. After a number of years as a yacht and a stint in the U.S. Coast Guard during World War II, the boat was donated to the Museum in 1952 to become a sail training vessel, starting in 1953. More than 11,000 teenagers and adults have sailed in programs since that time. Brilliant’s excellent condition is a testament to the designers and skilled craftsmen who built her to the highest standards, and to the careful maintenance she has received ever since. Originally built for offshore cruising, Brilliant has proven herself in many races.

Congratulations to the crew and everyone who supports Brilliant over the course of the year.

 

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Press Releases

Mystic Seaport Museum Honors Benjamin Mendlowitz with William P. Stephens Award

Mystic, Conn. (August 1, 2019) — Mystic Seaport Museum is pleased to announce it honored maritime photographer Benjamin Mendlowitz with the William P. Stephens Award.

Established in 1988, and named after William P. Stephens (1845-1946), known by many as the “Dean of American Yachtsmen” and “the grand old man of American yachting,” the award is given periodically in recognition of a significant and enduring contribution to the history, preservation, progress, understanding, or appreciation of American yachting and boating.

“We are deeply honored to present this award to Benjamin Mendlowitz to recognize his life’s work capturing the beauty and craftsmanship of wooden boats,” said Mystic Seaport Museum President Steve White. “Much as the Rosenfeld family chronicled the early and middle of the 20th century of American yachting with their iconic black-and-white photographs, Mendlowitz applies his talented eye and intuitive sense of light and curve to portray the classic boats that remain from the past and to document the important vessels from our generation. His work helped drive the renaissance of wooden boats in America over the last 40 years.”

Mendlowitz was born and raised in New York City and drew his passion for boats and the sea from summers on the New Jersey Shore, where he was influenced by the local traditional boat builders. After graduating from Brandeis University, he embarked on a career in photography with his work appearing in WoodenBoat Magazine and other nautical publications. Through his company NOAH Publications, Mendlowitz publishes the Calendar of Wooden Boats, which has been a staple on the walls of wooden boat enthusiasts for more than 30 years.

Mendlowitz photographs have appeared regularly on the covers of many trade and educational books, and in feature articles and on the covers of the most respected boating magazines including WoodenBoat, Nautical Quarterly, Sail, Yachting, Cruising World, Maine Boats, Homes & Harbors, Soundings, Chasse-Maree and L’annee Bateau (France), Classic Boat, (Britain), Yacht (Germany), and Arte Navale (Italy). His work has also appeared in magazines such as Time, Esquire, Money, People, Atlantic Monthly, Connoisseur, Historic Preservation, Field & Stream, Down East, Yankee, Sports Illustrated, The London Times Magazine, The Boston Globe Magazine, The New York Times Magazine, among many others.

Mendlowitz’s newest book, Herreshoff: American Masterpieces, created in collaboration with Maynard Bray and Claas van der Linde, was published in November 2016 by W.W. Norton & Company of New York. In 1998, Norton published Wood, Water & Light, a large-format, full-color book featuring more than 180 of Mendlowitz’s finest early images with accompanying text by Joel White. In addition to seven other book published by Norton, two books published by NOAH Publications feature his photography: Joel White: Boatbuilder, Designer (2002), with text by Bill Mayher and Maynard Bray, and Aida (2012) by Maynard Bray.

The award was presented as part of the Castine Classic Race Symposium at the Maine Maritime Academy, in Castine, Maine, July 31.

Previous recipients include Olin J. Stephens II, Jon Wilson, Elizabeth Meyer, Briggs Cunningham, John Gardner, Carleton Mitchell, Maynard Bray, John Rousmaniere, and Louie Howland.

About Mystic Seaport Museum

Mystic Seaport Museum, founded in 1929, is the nation’s leading maritime museum. In addition to providing a multitude of immersive experiences, the Museum also houses a collection of more than two million artifacts that include more than 500 historic vessels and one of the largest collections of maritime photography. The new Thompson Exhibition Building houses a state-of-the-art gallery that will feature J.M.W. Turner: Watercolors from Tate, the most comprehensive exhibition of Turner watercolors ever displayed in the U.S. opening October 5, 2019. Mystic Seaport Museum is located one mile south of Exit 90 off I-95 in Mystic, CT. For more information, please visit https://mysticseaport.wpengine.com/ and follow Mystic Seaport Museum on Facebook, Twitter, YouTube, and Instagram.

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News

Turner Book Pre-Sale

"Conversations with Turner: The Watercolors," edited by Nicholas R. Bell
“Conversations with Turner: The Watercolors,” edited by Nicholas R. Bell

Mystic Seaport Museum is proud to announce it is accepting pre-sale orders for its new book, Conversations with Turner: The Watercolors, published jointly with Skira. Edited by Senior Vice President for Curatorial Affairs Nicholas Bell, the book accompanies the major exhibition at the Museum opening October 5.

Joseph Mallord William Turner (1775-1851) is widely considered the greatest artist in the history of Britain. Central to this claim is Turner’s mastery of watercolor, a medium he tackled in childhood and returned to throughout his life as he challenged, then surpassed all expectations of what could be achieved with the simple ingredients of paper, water, and pigment.

In this book 16 scholars, historians, and artists come together for a series of thematic conversations centered on this medium. Topics include the role watercolor played in Turner’s practice, its relationship to oil painting, what these works reveal about Britain in the grips of the Industrial Revolution, Turner’s relationship to the sea, and his impact today on contemporary art.

Contributors include Glenn Adamson, John Akomfrah CBE, Timothy Barringer, David Blayney Brown, Amy Concannon, Susan Grace Galassi, Ellen Harvey, Elizabeth Helsinger, Olivier Meslay, Mariana Marchesi, Alexander Nemerov, Katie Paterson, Victoria Pomery OBE, William S. Rodner, Sam Smiles, and Scott Wilcox.

This book illustrates more than 100 watercolors from the Turner Bequest at Tate, tracking the artist’s progress as he rivaled peers in the 1790s through to the 1840s, when Turner’s annual travels to Italy, Germany, and Switzerland fed an increasingly radical approach to color and technique. Many of these works were never intended to be seen by others, and were instead painted, in contemporary art critic John Ruskin’s words, “for his own pleasure.”

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News

Museum Honors Dark Harbor 20 Owners with Baker Award

Dark Harbor 20s racing off Islesboro, ME. Photo Credit: Antelo Devereux, Jr.
Dark Harbor 20s racing off Islesboro, ME. Photo Credit: Antelo Devereux, Jr.

Mystic Seaport Museum announces it honored the Dark Harbor 20 class owners with the William A. Baker Award. The award is given to promote the awareness and appreciation of fine examples of one-design classes or boats of like kind, and to foster faithful preservation and restoration, and encourage their continued use.

The owners are being recognized for their effort to preserve and maintain a significant class of American sailing craft.

Antique and classic boat organizations throughout the country typically present awards for the preservation of wooden boats. As a rule, these awards are presented to individual owners or vessels, recognizing some superlative aspect of the work that has been done to keep them up, maintain original status, or examples of fine craftsmanship.

The William Avery Baker Award is unusual in that it is presented to a class association or group of owners. The purpose is to recognize the people and communities that do the bold, arduous, and often expensive work of keeping a large group or class of vessels actively sailing.

Dark Harbor 20s racing off Islesboro, ME. Photo Credit: Antelo Devereux, Jr.The Dark Harbor 20 was designed in 1934 by yacht designers Olin Stephens II and his partner, Drake Sparkman, in response to a request from members of the Tarratine Club of Dark Harbor in Isleboro, ME, for a new sloop for club racing. The resulting boat is a narrow, fin-keel hull with long overhangs and a Bermudan rig. The first batch of 16 boats was built by George Lawley in Neponset, MA, during 1934-5. The design proved to be a success, both on and off the racecourse. The boats are fast, easily driven with particularly good windward performance, and easy to handle.

A second batch of five boats joined the fleet after World War II. All but one of the original Dark Harbor 20s are still sailing, and in 2006 a fiberglass version was added to the class. The new boats were designed and engineered by Sparkman & Stephens to be identical in all relevant aspects to the wooden boats to ensure fair competition.

“The owners of the Dark Harbor 20s are to be commended for their dedication to authenticity and active use of the class. That so many of the inaugural fleet are still sailing is a remarkable accomplishment and yet there is room for a next generation to continue the class for the future,” said Steve White, president of Mystic Seaport Museum. “We are proud to honor the Dark Harbor 20 owners for their continued effort to allow future generations to sail and enjoy these fine boats. As Camden was my childhood home, I had the opportunity to sail the DH20s, loving them all”

The award was presented at a ceremony at the Tarratine Club July 30.

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News

Mendlowitz Receives William P. Stephens Award

Photographer Benjamin Mendlowitz. (Photo courtesy Benjamin Mendlowitz/NOAH Publications)
Photographer Benjamin Mendlowitz. (Photo courtesy Benjamin Mendlowitz/NOAH Publications)

Mystic Seaport is pleased to announce the latest recipient of the William P. Stephens Award is maritime photographer Benjamin Mendlowitz.

Established in 1988, and named after William P. Stephens, long known as the “Dean of American Yachtsmen” and “the grand old man of American yachting,” the award is given periodically in recognition of a significant and enduring contribution to the history, preservation, progress, understanding, or appreciation of American yachting and boating.

“We are deeply honored to present this award to Benjamin Mendlowitz to recognize his life’s work capturing the beauty and craftsmanship of wooden boats,” said Mystic Seaport Museum President Steve White. “Much as the Rosenfeld family chronicled the early and middle of the 20th century of American yachting with their iconic black-and-white photographs, Mendlowitz applies his talented eye and intuitive sense of light and curve to portray the classic boats that remain from the past and to document the important vessels from our generation. His work helped drive the renaissance of wooden boats in America over the last 40 years.”

Mendlowitz was born and raised in New York City and drew his passion for boats and the sea from summers on the New Jersey Shore, where he was influenced by the local traditional boat builders. After graduating from Brandeis University, he embarked on a career in photography with his work appearing in WoodenBoat Magazine and other nautical publications. Through his company NOAH Publications, Mendlowitz publishes the Calendar of Wooden Boats, which has been a staple on the walls of wooden boat enthusiasts for more than 30 years.

Photographer Benjamin Mendlowitz at work. (Photo courtesy Benjamin Mendlowitz/NOAH Publications)
Photographer Benjamin Mendlowitz at work. (Photo courtesy Benjamin Mendlowitz/NOAH Publications)

Mendlowitz photographs have appeared regularly on the covers of many trade and educational books, and in feature articles and on the covers of the most respected boating magazines including WoodenBoat, Nautical Quarterly, Sail, Yachting, Cruising World, Maine Boats, Homes & Harbors, Soundings, Chasse-Maree and L’annee Bateau (France), Classic Boat, (Britain), Yacht (Germany), and Arte Navale (Italy). His work has also appeared in magazines such as Time, Esquire, Money, People, Atlantic Monthly, Connoisseur, Historic Preservation, Field & Stream, Down East, Yankee, Sports Illustrated, The London Times Magazine, The Boston Globe Magazine, The New York Times Magazine, among many others.

Mendlowitz’s newest book, Herreshoff: American Masterpieces, created in collaboration with Maynard Bray and Claas van der Linde, was published in November 2016 by W.W. Norton & Company of New York. In 1998, Norton published Wood, Water & Light, a large-format, full-color book featuring more than 180 of Mendlowitz’s finest early images with accompanying text by Joel White. In addition to seven other book published by Norton, two books published by NOAH Publications feature his photography: Joel White: Boatbuilder, Designer (2002), with text by Bill Mayher and Maynard Bray and Aida (2012) by Maynard Bray.

The award was presented as part of the Castine Classic Race Symposium at the Maine Maritime Academy, in Castine, Maine, on July 31.

Previous recipients include Olin J. Stephens II, Jon Wilson, Elizabeth Meyer, Briggs Cunningham, John Gardner, Carleton Mitchell, Maynard Bray, John Rousmaniere, and Louie Howland.

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Mayflower II Restoration News

The Cover Comes Off

MAYFLOWER II after disassembly of the big "mailbox" tent that has been sheltering the vessel in the Shipyard.
MAYFLOWER II after disassembly of the big “mailbox” tent that has been sheltering the vessel in the Shipyard. Click on the photo to start a slide show.

After nearly 3 years hidden under a large tent in the Shipyard, crews this week disassembled the structure that has sheltered Mayflower II during her restoration. The ship is now open for visitors to view in its cradle and it is a rare opportunity to see the entire hull out of the water.

The onshore portion of the restoration is in the home stretch as Mayflower II will be launched in a public ceremony Saturday, September 7.

The 62-year-old wooden ship has been hauled out in the Henry B. duPont Preservation Shipyard at Mystic Seaport Museum for major work to prepare her for participation in the 400th anniversary celebration of the Pilgrim’s historic voyage. Mayflower II is owned by Plimoth Plantion, which displays the vessel in Plymouth Harbor.

The original Mayflower sailed back to England in April of 1621, where it was later sold in ruins and most likely broken up. Mayflower II, was designed by MIT-trained naval architect William Avery Baker for Plimoth Plantation. The ship is a full-scale reproduction of the original Mayflower and was built in 1955-57 in Brixham, England. The details of the ship, from the solid oak timbers and tarred hemp rigging to the wood and horn lanterns and hand-colored maps, were carefully re-created to give visitors a sense of what the original 17th-century vessel was like.

The ship was a gift to the people of America from the people of England in honor of the friendships formed during World War II. Since its arrival in 1957, Mayflower II has been an educational exhibit of Plimoth Plantation.

The launch ceremony will be held in the shipyard at 2 p.m. and will be open to Museum visitors. Historian and author Nathaniel Philbrick will deliver a keynote address and the British Consul General in Boston, Harriet Cross, will christen the ship will christen the ship using a bottle containing water from all 50 states as well as Plymouth, UK. Music will be provided by the US Coast Guard Band. The process will be very similar to the launch of the 1841 whaleship Charles W. Morgan in 2013, Mayflower II will be rolled out onto a platform on the shipyard’s shiplift. At a designated signal, the platform will slowly lower the ship into the water until she floats in the Mystic River.

On July 8, Mayflower Sails 2020 announced the ship would come to Boston for a free maritime festival next spring, May 14 through 19, 2020, in the Charlestown Navy Yard. The ship will return to its berth in historic Plymouth Harbor after the event. Current plans call for the ship to remain at Mystic Seaport Museum until early spring 2020 for completion of the restoration and rigging.

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News

New Features for Whalinghistory.org

By Paul O’Pecko
Vice President of Research Collections and Director of the G.W. Blunt White Library

With the help from an Arthur Vining Davis Foundation grant over a decade ago, Mystic Seaport Museum developed a website called the National Maritime Digital Library. It consists of a number of elements including databases, digitized material and a portal to a new maritime history journal called CORIOLIS. The core of the site, though, was the American Offshore Whaling Voyage database. Judith Lund, former curator at the New Bedford Whaling Museum, had created a database of more than 16,000 whaling voyages and teamed up with Mystic Seaport Museum to put it online in a format that would be useful to researchers around the world. Fast forward to 2017 and the AOWV database took on a life of its own to become WHALINGHISTORY.ORG, an extraordinary collection of information and digital objects that has far surpassed our original dreams for the material.

Over the last two years, Mystic Seaport Museum and the New Bedford Whaling Museum cobbled together funding to expand the website with the guidance of web developer David Caldwell. Dave’s ability to organize the data and digital material that we have compiled over the years has been a herculean effort that is paying dividends by way of all the scholarly work done by users tapping into the site. In addition to the original database, other participants from around the world have begun sharing their data with us. This includes databases for the British Southern Whaler Fishery (1775-1859), the British North American Whale Fishery (1779-1845) and the French Whaling Voyages (1784-1866). Add a collection of new crew lists, links to hundreds of scanned logbooks and a new search function that links all the material together, and you have a virtual smorgasbord of whaling history at your fingertips. Quite interesting is the cross pollination of whaleships and masters between the different databases, especially among the Nantucketers who occasionally registered their voyages in both America and France, for example.

Other additions to the site include a new EXPLORE menu that offers new ways to dig into the Whaling History databases and features aspects of the data that might not otherwise be discovered. One of the first EXPLORE topics is “Women Who Went Whaling,” an opportunity to find voyages on which the master’s wife sailed. The EXPLORE menu also assists users in finding all the 1,300 voyage maps that are included on the site. These maps display voyage location information from the American Whaling Logbook database that combines logbook data from the Maury, Townsend and Census of Marine Life logbook projects. One of the most gratifying elements of the site for researchers is the ability to download any or all data to be manipulated for their own purposes, rather than having to construct tables from data that they would otherwise need to type out or cut and paste.

Goals yet to be achieved include linking art and objects to individual voyages and bringing in additional institutions to add their records and logbooks to the collection. Fund raising for this will start soon, so feel free to participate!

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News

2019 Celebration of Volunteers

Museum President Steve White with Becky Jackson, winner of the 2019 Rudolph J. Schaefer III Volunteer Lifetime Achievement Award.
Museum President Steve White with Becky Jackson, winner of the 2019 Rudolph J. Schaefer III Volunteer Lifetime Achievement Award at the 2019 Celebration of Volunteers. Click on the photo to begin a slide show.

While some gray rain clouds formed in the distance, approximately 170 Mystic Seaport Museum volunteers, staff, and guests gathered in the River Room and on the outside patio at Latitude 41° Restaurant & Tavern to participate in the 2019 Celebration of Volunteers Awards on July 17.

EveAnne Stouch, associate director of Volunteer Services, welcomed everyone to the awards ceremony, an event that has been held since 1998. At that time, there was one award to present, while the number of awards has now risen to six. Stouch handed over the microphone to Steve White, president of Mystic Seaport Museum, who was happy to see so many gathered for this year’s celebration. After a few words, White introduced the new Chairman of the Museum Board, Michael Hudner. “Mike is a great friend of the Museum,” White said.

Hudner could feel the warmth of the volunteers, “who seems to feel so comfortable here tonight,” he said. “I would like to propose that we change the name of this group to the ‘Salty Dogs,’” a remark that was met with laughter from the assembled volunteers.

First up at the award presentation was Paul O’Pecko, vice president of Research Collections and director of the G.W. Blunt White Library, who spoke warmly about this year’s first recipient of the Volunteer Special Recognition Award, Martha Murphy, who volunteers in the Rosenfeld Collection.

Chris Gasiorek, vice president of Watercraft Preservation and Programs, who was presenting the second Volunteer Special Recognition Award, joked that he still feels like a stranger when he walks into the Museum’s Boathouse to talk to the volunteers working there. “They sometimes give me a cookie,” he said, “before I leave them to their task.” The second Volunteer Special Recognition Award went to Boathouse volunteer Andy Strode.

Molly Kulick was the 2019 Junior Volunteer Special Recognition Award winner, an award that was presented by Susan Funk, executive vice president and COO of the Museum. Molly is a dedicated and hard-working volunteer in the Sailing Center, Funk said. Funk read some of the remarks that Molly’s co-workers had mentioned about her, and one, that Molly always had a smile on her face, everyone among the gathered volunteers could see – Molly was beaming when she received her award from Funk.

Laura Hopkins, senior vice president for Advancement, spoke enthusiastically about the recipient of the Special Staff Recognition Award, her co-worker Chris Freeman, director of Development and Legacy Giving, who for the last 10 years has run the Museum’s PILOTS program. “Chris is a strong ambassador for the Museum, Hopkins said. She continued, “and who knew that PILOTS is an acronym for Passion, Integrity, Loyalty, Optimism, Tenacity, Service?” Chris Freeman was met with kindhearted applause when he went up to receive his award from Hopkins – many of the gathered volunteers this evening are also PILOTS in Chris’s program.

Left for the evening were the two most prestigious awards: the William C. Noyes Volunteer of the Year Award and the Rudolph J. Schaefer III Volunteer Lifetime Achievement Award. Susan Noyes, daughter of Bettye Noyes who for many year’s presented this award, which is named after her husband, was proud to give this year’s award to RJ Lavallee, a member of the Watercraft Gung Ho Squad. He is the one who has received most nominations throughout the years for this award, Susan Noyes said. According to his co-workers: “He’s always cheerful, a team-player, and truly unique,” Noyes mentioned.

When Steve White, who presented the 2019 Rudolph J. Schaefer III Volunteer Lifetime Achievement Award, read out the name of the award winner, the volunteers cheered loudly. The award went to Rebecca “Becky” Jackson, who has volunteered at the Museum for 35 years, the recent years in the Membership lounge. White went over to the table where Becky was sitting to escort her to the front where she received her award. With Becky’s consent – as one is never to ask or reveal a lady’s age – White informed the volunteers that Becky will turn 100 years old later this year! Becky was a more than worthy winner of the Museum’s volunteers 2019 Lifetime Award.

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